地理空间对宋词影响之研究
本文关键词:地理空间对宋词影响之研究 出处:《山东师范大学》2016年博士论文 论文类型:学位论文
【摘要】:中国文学与地理空间的不解之缘可追溯至《诗经》、《楚辞》的先秦时期。及至两宋,词与地理空间的关系更为密切,柔美婉约为主的词作风格、多涉南方山水的创作内容、词人多占籍南方的地理分布等现象都为这一密切关系提供了坚实的立论基础。宋室南渡的时代巨变在导致政治、经济、文化重心南移的同时,必然导致宋词创作在地理空间上的移位现象。尽管地理空间在词体发生发展中扮演了重要角色,宋词研究依然偏重纵向的时间维度。鉴于此,本文选取"地理空间对宋词的影响之研究"为题,来探究环境与词人之间的关系,以增加空间维度上的宋词研究力度,力求在时空共筑的生态环境中科学把握和研究宋词。本文从宏观和微观两个方面分析论证地理空间对宋词的影响,以数理统计、文献史料为支撑,以词作为根基,以个案研究为切入点,以点带面,避免限于静态和局部研究的偏颇,运用动态的、全局性的研究方法来分析两宋词人与地理空间之间复杂多变的关系,分析地理空间对宋词题材内容、风格特点、词学思想、词人心态等方面的影响,总结其规律性特点。本文共分三部分:引论部分、主体部分和结语部分。第一部分引论。在对"地理空间"这一核心概念进行界定的基础上,交代本选题的研究缘起,分析地理空间与宋词关系研究的现状,探求本选题的研究价值,阐述本文的研究思路与方法。第二部分主体部分。分上下两编,上编为宏观研究,下编为个案研究,宏观研究的观点和结论建立在个案研究的坚实基础之上。上编宏观研究,共分五章:第一章为地理空间对宋词题材内容的影响研究。地理空间对题材内容的影响有强弱之分,怀古咏史词、风土词、写景咏物词和羁旅仕宦词是受影响最大的题材内容。地理空间对怀古咏史词的影响主要表现在对登临地这一特殊地理空间的选择取舍上;地理空间对风土类题材的影响通过一幅幅极具地方特色的社会民俗风情画展现出来;写景咏物词所写景物呈现出的流域文学差异是地理空间影响力的最主要表现;就羁旅仕宦词而言,由东向西、自北向南的空间移位趋势明显,是流动性极强的动态地理空间,带来了不同地域之间的文化交流。第二章为地理空间对宋词风格的影响研究。本文从影响地域差异的地貌、水文、生物、气候等多个要素中选取最强有力的气候要素为标准展开。地理空间对宋词整体风格的影响,体现为自北向南六个气候带中暖温带和亚热带词人分布最集中,两大气候带成为探析宋词整体风格的有力证据;地理空间对具体词人词风的影响,要从本籍和客籍两个地理空间入手:一者影响根深蒂固,一者影响受时间、心境等多方制约,二者之间会形成碰撞,进而产生新词风;金源词和南宋词均导源于北宋词,但在发展过程中与地理环境发生双向选择,清劲方刚成为金源词的主导词风,婉丽含蓄却则成为南宋词的主导词风。第三章为地理空间对宋代词学观念的影响研究。整体来说,地理空间对词学观念的影响远没有对题材内容和风格的影响直接有力,本章仅分析"词为艳科"和"自是一家"的词学观念与地理空间的关系。"词为艳科"观念借《花间集》而生,花间词人以蜀人或仕宦于蜀地者为主;蜀地经济发达、享乐之风兴盛,四川盆地气候宜人,风景优美,物产丰富,这三点说明"词为艳科"观念的形成离不开蜀地的涵育之功。"自是一家"观点虽可从词体发展规律、词人所处社会环境、词人的禀赋气质等方面入手解读,但若忽视对密州一地的地理空间研究,这些解读就未免隔靴搔痒之嫌。第四章、第五章分析两种特殊的人地关系心态:乡土情结和恋阙情结。故乡具有生命源泉和生命归宿的双重内涵,终老他乡却是宋代词人较为普遍的生命状态,这与学养最深、最讲礼法的宋代士大夫形象并不一致,令人费解。两宋词人笔涉京都之作占全宋词五分之一强,恋阙心理已成宋词中普遍而典型的情感内容。本文对这两种词人心态分别加以梳理研究后,进一步分析故乡和京都这一组互为反方向的地理空间之间奇特而复杂的关系,探究两宋词人微妙复杂的内心世界。下编个案研究,共分六章。根据两宋各阶段词人的贡献大小,分别从北宋前期词坛、中期词坛、后期词坛、南渡词坛、南宋中期词坛、后期词坛选取最具有代表性的七位词人进行深入细致的个案研究,以点带面,分析总结地理空间影响两宋词的表现及其规律性特点。北宋前期词坛,柳永的人生地图南起武夷、北及华阴、东濒定海、西至成都,其《乐章集》中仕宦漂泊的焦灼感显示出其思想体系并未能融合儒释老的不成熟状态,其"汴京情结"不容忽视。北宋中期词坛,苏轼足迹遍及大半个中国,地理意义上的乡土概念日渐被精神层面的故乡概念取代,与此相应,其词学观念由"词为艳科"的传统观念渐变为词乃"诗之苗裔"的词学思想,题材内容呈现出前所未有的深广程度,以陶渊明为参照,从时代环境、气质禀赋等因素切入,会发现苏轼大乡土情怀的独特性和人文价值。北宋中后期词坛,周邦彦词由软媚清丽向内敛沧桑的词风变化,既与年龄和阅历有关,又与地理空间的广阔性和丰富性有着密切联系。南渡词坛,朱敦儒与故乡洛阳的距离越大,词中凄凉孤苦的低沉情调就越浓厚,对南方流寓地的疏离感就越强烈,尤以岭南词为最。这种南北地域文化的碰撞实质上是对主流政治不舍之情的表现。南宋中期词坛,辛弃疾词中齐鲁地域色彩与信州山水共生,呈现出南北文化渗透融合的大趋势,并最终通过多样化的稼轩词风表现出来,传递出南宋词发展日渐多元的讯息。南宋后期词坛,刘克庄广阔开放的人生地图与吴文英局限于一隅的人生图景直接影响着二人的创作视野、词情内容和词学观念,呈现为开放式和内敛式两种宋词书写范式,显示出词坛分流的大趋势。第三部分余论。本部分总结强调地理空间对宋词发挥影响力时两个极为重要的研究维度,即广度和深度。从广度视角审视地理空间对宋词的影响,要重视词人对地理空间的拓展力度,这正是词体发展的重要表现。作家人生行迹的广度与词作的题材类型、风格特色的变化是一种正相关关系。从深度视角来审视地理空间对宋词的影响,要意识到地理空间对词人的影响深浅有别,考量深浅程度的标尺是作家的心灵世界。外在地理空间与词人心灵世界发生的碰撞越激烈,其转化为文学地理空间的能动性就越大,文学作品的艺术感染力也越强烈。重视广度和深度两个维度,才能描绘出地理空间与宋词奇妙关系的生动画卷。
[Abstract]:Chinese literature and geographical space the indissoluble bound can be traced back to Book of Songs, < >. When the Qin Dynasty Chu two song, relation between word and geographical space more closely and graceful as Ci style, creative content and more involved in the landscape of the south, the poet accounted for the geographical distribution of the Southern nationality phenomenon are provided the argument is the foundation for the close relationship between the Southern Song Dynasty. The era of great changes in political economy, culture leads to, movement at the same time, will inevitably lead to the creation in the geographical space shift phenomenon. Despite the geographical space in the CI has played an important role in the development of Ci study, still lay particular stress on the vertical time dimension in view. For this, this paper selects the topic of "Research on" the impact of geographical space on the song, to explore the relationship between the environment and the people, in order to increase the spatial dimensions of the CI research efforts, and strive to build the ecological environment in space and time Scientific grasp and study of Song Ci. This paper analyzes the impact of geographical space demonstration of Song Ci from the two aspects of macro and micro, with statistics, historical documents as the support, with the word as the foundation of the case study as the starting point, to avoid static and local research bias, using the dynamic analysis of the complex relation. Between two Song Dynasties and the geographical spatial research methods of overall, analysis of geographical space of song themes, styles, thoughts of Ci, influence of mentality etc., summarizes its characteristics. This paper is divided into three parts: introduction, main part and conclusion part. The first part is an introduction on the definition. Based on the "geographical space" of the core concept, origin of the explanation of this topic, analysis of the current situation of research on the relationship between geographical space and Ci, explore the topics of research value, this article research The ideas and methods. The second part is the main part is divided into two parts. The first part is the research, macro research, the case study, based on a solid foundation of macro view and conclusion based on case study. The macro research, is divided into five chapters: the first chapter is the study of geographical space effect on the theme song content. Influence of geographical space on the theme content vary, meditate on the history intoned CI describing thescenery, vernacular words, words and the official word is affected by the largest theme. Influence of geographical space to meditate on the history intoned CI mainly manifested in the choice of boarding this special geographical space on the influence of local geographical space; theme paintings by very local characteristics of the social custom painting show; literature describing thescenery basin differences showing the word written scene is the main manifestation of geographical space is an official influence; The word, from the east to the west, from the north to the south of the space shift trend is obvious, is a dynamic spatial mobility is very strong, has brought the cultural exchange between different regions. The second chapter is the study of spatial influence of the Song Ci style. This paper from the impact of regional difference of landforms, hydrological, biological and climatic factors for standards the most powerful selection of multiple elements of climate. The influence of geographical space on the song of the overall style, embodied in the six climatic zones from north to south in the warm temperate and subtropical CI distribution most concentrated, strong evidence of two climatic zones become of the overall style of the song; influence of geographical space on specific Ci and Ci of the wind, to start from the country of origin and two Hakka geographical space: influence one ingrained, influenced by time, mood etc. various constraints, between the two will form a collision, and then produce new wind; and the Southern Song Dynasty are derived from the Jin Yuan word In the Northern Song Dynasty, but in the process of development and geographical environment has two-way choice, fresh 6 become the wind leading words of Jin Yuan's Ci, Wanli has become the leading word implicit is the wind in Southern Song Dynasty. The third chapter is to study the impact of geographical space on the concept of Ci in Song Dynasty. Overall, spatial effects on the concept of CI far has no effect on the theme and style of direct and powerful, this chapter only analyze the relationship between "concept of Ci and geographic space for Yan Ke" and "a" word. "Word for Yan Ke" concept by Hua Jian Ji > and <, Hua Ci to Shu people or officials in the main Sichuan; Sichuan developed economy, prosperous pleasures of the wind in Sichuan basin, pleasant climate, beautiful scenery, rich natural resources, the three points that "the word formation of Yan division" concept cannot do without Shu Hanyu's work. "Is a" point of view is from the law of development of human body words, words the social environment, CI Natural temperament and other aspects of interpretation, but ignore the research on a Missouri geographical space, the interpretation would be too attempt an ineffective solution. In the fourth chapter, the fifth chapter analyzes the two kinds of special human relations mentality: local complex and complex. The hometown has double que love meaning of life and life source of home, home is. The Song Dynasty poet common life state, the knowledge and the deepest, most say the song literati image is not consistent, puzzling. Two people involved in Kyoto for song pen total 1/5 song, love song has become a common psychological Que and emotional content. This paper study the typical of the two kind of mentality, further analysis of this group of Kyoto home and mutual relations between the opposite direction of the strange and complex geographical space, exploring the two Song Dynasties subtle and complex inner world. The research is divided into the case The six chapter. According to the contribution of each stage two Song Ci, respectively from the early Northern Song Dynasty CI CI Ci, middle, late, Nandu CI CI Ci, the middle late, select the most representative of the seven poets to study in-depth and detailed case study performance and regularity of the characteristics of the two poetry analysis of geography the effects of space. The early Northern Song Dynasty Ci, Liu Yong's life map of South and North Wuyi, Huayin, Dinghai East, west of Chengdu, the < > official movement set drifting anxiety shows its ideological system and not the fusion of Confucianism and Buddhism old immaturity, it should not be ignored. The Northern Song Dynasty Kaifeng complex "the middle had Su Shi footprint across half Chinese, geographically local concept is gradually the spiritual home concept replaced, corresponding to this, his concept of Ci Poetry from" traditional Ci poem concept for the word "gradual branch of poetry" Thinking of the word, the theme content showed a profound degree of hitherto unknown, with Tao Yuanming as the reference, starting from the era environment, temperament and other factors, will find Su Shi local feeling is unique and humanistic value. In the late Northern Song Dynasty Ci, CI change Zhou Bangyan word by Mei Qingli soft inward vicissitudes, is associated with age and experience, the vast and rich and geographical space are closely linked. Nandu Ci, Zhu Dunru's hometown of Luoyang and the greater the distance, the word desolate lonely deep sentiment is more intense, more intense sense of alienation in the south, especially in south of the Five Ridges. The essence of this word is the collision between North and South regional culture is the mainstream political affection performance. In the mid Southern Song Dynasty Ci, symbiotic geographical Qilu color and Xinzhou landscape in Xin Qiji's poetry, showing the trend of cultural integration of North and south, and finally through diversification The Jiaxuan style show, passing out in Southern Song Dynasty. The development of information more diversified the late Southern Song Dynasty Ci, Liu Kezhuang wide open life map and Wu Wenying confined in the picture of life directly affects two people's creative vision, ideological content and word sentiment words, is open and reserved two song writing paradigm, shows the trend of CI shunt. The third part is conclusion. This part summarizes the emphasis on geographical space influence on the song at two of the most important research dimensions, namely the breadth and depth of influence. From the angle of view of geographical space of Song Ci breadth, attention should be paid to the development efforts of writers in geographic space, this is is an important manifestation of CI development. The breadth and the word writer for life whereabouts theme type, change style is a positive correlation between the impact. From the depth of perspective to examine the geographical space of Song Ci, to Aware of spatial effects on CI depth, depth gauge is the consideration of their spiritual world. The external geographic space and collision happened in the world poets mind more intense, the initiative into the literature of geographical space is bigger, the literary works of artistic appeal more strongly. The emphasis of the two dimensions of breadth the depth and geographical space and can depict a vivid picture of the song wonderful relationship.
【学位授予单位】:山东师范大学
【学位级别】:博士
【学位授予年份】:2016
【分类号】:I207.23
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