“真诗乃在民间”论的再认识

发布时间：2018-01-12 13:04

本文关键词：“真诗乃在民间”论的再认识　出处：《文学遗产》2017年01期 　论文类型：期刊论文

【摘要】：古人对"真诗乃在民间"作为理论命题的讨论有高度一致的论述逻辑,皆在历史、现实、艺术三重逻辑下展开。核心逻辑是"真",但"真"义认识本身没有为民歌进入文人创作提供可能性,于是,"真诗乃在民间"陷于理论与创作相矛盾的困境。从诗法与自由表达之间的相互制约、格律与歌唱的差异、雅俗交融的可能性、民歌情感内涵单一化与晚明文化情欲化、元气离散与近代精神的变化这五个方面来看,民歌不能完成文人化转换,不能成为一种新诗歌体式,是有其原因的。我们不能高估民歌在明代文学中的地位,需要为这些讨论确立一个前题,超越现象,看到这一命题的本质。
[Abstract]:The ancients had a highly consistent argumentation logic on the discussion of "the true poem is in the folk" as a theoretical proposition, all of which were carried out under the triple logic of history, reality and art. The core logic was "truth". However, the understanding of the meaning of "truth" itself does not provide the possibility for folk songs to enter the literary creation. Therefore, "true poetry is in the folk" is trapped in the dilemma of contradiction between theory and creation, and from the mutual restriction between poetic method and free expression. The differences between rhythm and singing, the possibility of the blending of elegance and custom, the simplification of emotional connotation of folk songs and the cultural lust of late Ming Dynasty, the dispersion of vitality and the change of modern spirit, the folk songs can not complete the conversion of literati. We can't overestimate the position of folk songs in the literature of Ming Dynasty. We need to establish a pre-topic for these discussions, transcend the phenomenon and see the essence of this proposition.
【作者单位】：北京师范大学文学院;
【分类号】：I207.22
【正文快照】： 明代民歌研究自八十年代以来一直受到关注,主要成果集中在对明代文人民歌辑录、评价方面,梳理了明代民歌产生的社会、思想环境、历史流变、作品状况和文人民歌观念、文人与民歌的关系(1)。比较有特点的是音乐研究,如从音乐的角度区别民歌与明清俗曲(2),还有一些硕士论文关注到

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