女性才德观对于清末民初闺秀诗评的渗透

发布时间：2018-01-21 22:21

本文关键词： 清末民初才德观闺秀诗评　出处：《江汉论坛》2017年06期 　论文类型：期刊论文

【摘要】：女性的才德问题是清末民初闺秀诗评关注的热点。前期的闺秀诗评普遍重妇德而不废才艺,但才德之间已开始出现裂缝,部分调和派闺秀诗评者表现出矛盾或游移的态度。在开明人士的推进下,受外部因素影响,后期的闺秀诗评已开始接受女子才艺为主的思想,这历经了艰难的过程,部分闺秀诗评者甚至以才为本。
[Abstract]:The issue of women's talent and morality is the focus of the criticism of purdah poems in the late Qing Dynasty and the beginning of the Republic of China. In the early stage of the critique of boudoir poems, women's morality was generally emphasized rather than talent, but the cracks between them began to appear. Some conciliators of boudoir poems showed contradictory or wandering attitude. Under the push of enlightened personage, influenced by external factors, the later criticism of boudoir poetry began to accept the thought of women's talent and skill. This has gone through a difficult process, some critics of boudoir poetry even based on talent.
【作者单位】：湖北大学文学院;
【基金】：国家社会科学基金一般项目“清末民初文学批评转型研究”(15BZW029)
【分类号】：I207.22
【正文快照】： 项目编号:国家社会科学基金一般项目“清末民初文学批评转型研究”(15BZW029)批评的人格化一直是中国传统批评的显著特征,在闺秀诗评中表现得尤其鲜明,女性的才德观成为闺秀诗评汇聚的焦点。明中后期的闺秀诗评还注重女子才艺,清初的闺秀诗评承继其绪,宣讲节烈,但不废才艺,反

【相似文献】