北京沦陷时期文化权力之争——以周作人为中心

发布时间：2018-01-22 22:24

  本文关键词： 北京 沦陷 周作人 文化权力　出处：《北京社会科学》2017年11期 　论文类型：期刊论文

【摘要】：周作人是北京沦陷真空期文化地位最高、最具影响力的作家,当时围绕其展开了文化权力的持续争夺。参与逐鹿者有后生晚学新势力、日伪官方势力与周作人嫡系弟子,他们或利用周作人名望上位,或意图取而代之,最后各方行动均告失败,周作人始终占据文化权力中心。文化权力运作机制不以个人意志为转移,无论沉默不语,抑或愤而反击,身在沦陷区的周作人都没能保全自我,无力挣脱权力控制,从一介文人蜕变成伪吏官僚。
[Abstract]:Zhou Zuoren was the highest and most influential writer in the vacuum period of the fall of Beijing. At that time, there was a continuous struggle for cultural power around it. Japanese and puppet official forces and Zhou Zuoren's direct disciples, they either take advantage of Zhou Zuoren fame, or intention to replace, the final action has failed. Zhou Zuoren has always occupied the center of cultural power. Cultural power operation mechanism does not shift to the individual will, no matter silent, or angry and counterattack, in the enemy-occupied area Zhou Zuoren has not been able to preserve themselves. Unable to break free from power control, from a literati to a false bureaucrats.
【作者单位】： 浙江音乐学院公共基础部;
【基金】：教育部人文社会科学基金项目(16YJC751037)
【分类号】：I206.6;K265
【正文快照】： 北京沦陷时期,[1]绝大多数文化人南迁避乱,即使滞留北京的作家也多半不再发声,有意疏离日伪当局,文学创作一度跌入谷底。相适应于日伪政权的结构重组,文化秩序的重建也紧随其后。大时代从不缺少权力欲望过剩之人,欲夺取文化权力不仅需要政治力量的支持,更有赖于时望所归,彼时，

本文编号：1455892