艳诗:名称由来及负面评价

发布时间：2018-01-30 03:58

本文关键词： 艳诗艳歌艳儒家评价　出处：《求索》2017年05期 　论文类型：期刊论文

【摘要】："艳诗"之名由南朝时期的"艳歌"演化而来,艳歌本因曲调之"艳"而得名,但在当时的批评语境中,其"艳"实兼有曲调及内容两层含义,艳诗继承其名,其"艳"则表现在内容与文辞两个方面。不论艳歌或艳诗,二者在"艳"的具体含义及表现上皆与儒家观念的功利性主张存在着冲突,其特性被认为会对国家的统治带来危害,故一直以来都处于被批判的地位。但在清初,部分论诗者又赋予了艳诗"寄托"的因素,使其与儒家诗论产生了相通之处,对艳诗的道德评价开始呈现出二分的局面。
[Abstract]:The name of "Yan Shi" evolved from the "Yan Song" of the Southern Dynasty. The Yan Song was originally named after the "Yan" of the tune, but in the critical context at that time, the "Yan" had two meanings, both the melody and the content, and the Yan poem inherited its name. Its "Yan" is manifested in two aspects: the content and the prose. Both of them conflict with the utilitarian proposition of Confucianism in the concrete meaning and performance of "Yan", regardless of the Yan Song or Yan poem. Its characteristics are considered to be harmful to the rule of the country, so it has always been in a critical position. However, in the early Qing Dynasty, some of the poetry critics also endowed the "sustenance" factor of Yan poetry. So that it and Confucian poetry produced similarities, the moral evaluation of Yan poetry began to present a dichotomous situation.
【作者单位】：复旦大学中文系;浙江财经大学人文与传播学院;
【基金】：国家社科基金重点项目“东亚汉诗史初编”(14AZW007)
【分类号】：I207.22
【正文快照】： 艳诗作为一种特殊的、较受争议的诗歌类型,在过去一直保持着较高的受关注度,但与此种关注度不相对称的是,以往的评论对于艳诗自身的种种复杂性问题显然有所低估,从而导致其评价无论正面、负面都易出现简单化的倾向。当前学界对于艳诗的关注较数十年前已有所回升,但总体上仍处

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