转型社会与高校知识分子题材创作

发布时间：2018-01-30 09:47

  本文关键词： 高校知识分子题材 转型社会 新闻化 模式化 文化退守　出处：《文学评论》2017年04期 　论文类型：期刊论文

【摘要】：20世纪90年代以来,知识分子题材创作越来越明显地向高校知识分子题材集中。随着高等教育改革的深入,知识分子紧密地整合到转型社会市场经济的庞大体制中,以专业化、职业化的形式"消逝"在大学里。当下高校知识分子题材创作,被知识分子的现实境遇牵着走,停留于新闻化、纪实化的表层写作,缺乏对生活的深入开掘与提炼;沉溺于知识领域的权力叙事套路,人物标签化、符号化,情节奇观化、荒诞化,导致趋于模式化的隐喻写作;历史维度的欠缺,显示了它们共同的问题即精神文化资源的匮乏与现代理性人格的缺失。如何直面消费文化,在文化退守的时代重拾前行的勇气,变革文学的生产方式与书写模式,成为高校知识分子题材突破的关键。
[Abstract]:Since 1990s, the intellectual subject matter creation has become more and more obvious to the university intellectual subject matter concentration, along with the higher education reform thorough. Intellectuals are closely integrated into the huge system of market economy in the transitional society and "vanish" in the form of specialization and professionalism in universities. Led by the reality of intellectuals, stay in the news, documentary surface writing, lack of deep excavation and extraction of life; The power narrative style indulging in the field of knowledge, character tagging, symbolization, plot wonder and absurdity lead to stylized metaphorical writing; The lack of historical dimensions shows their common problems, that is, the lack of spiritual and cultural resources and the lack of modern rational personality. Reforming the mode of production and writing of literature has become the key to the breakthrough of intellectual subject matter in colleges and universities.
【作者单位】： 浙江工业大学人文学院;
【分类号】：I206.7
【正文快照】： 从格非《欲望的旗帜》(1993)起,知识分子题材创作逐渐摆脱了20世纪80年代的启蒙创伤主题,越来越明显地集中在高校知识分子身上。新世纪以来,高校知识分子题材的创作方兴未艾,形成了持续的写作与阅读热点,如马瑞芳的《天眼》(1996)、《感受四季》(1999),李R嫉摹独鐾藓印，

本文编号：1475934