中古佛典序跋的人物传志价值刍论

发布时间：2018-02-04 11:21

本文关键词： 中古佛典序跋人物传志　出处：《学术探索》2017年08期 　论文类型：期刊论文

【摘要】：中古佛典序跋具有浓郁的记人笔法,记载了佛典编纂者、佛典翻译者与整理者、统治阶层等人之事,刻画了他们的形象,塑造了他们的性格。中古佛典序跋人物传志笔法的形成,是多个因素共同作用的结果:对序跋人物传志笔法的继承;对佛典记人笔法的借鉴;记录佛教史的需要;抒发情感的需要。中古佛典序跋的人物传志笔法具有重要价值:彰显出中古佛典序跋与佛事活动的紧密结合;丰富了中古佛典序跋的内容;促使中古佛典序跋风格的多样化。
[Abstract]:The preface and postscript of the middle ancient Buddhist scriptures have a strong way to remember people. They record the stories of Buddhist compilers, translators and arrangers of Buddhist scriptures, ruling class and so on, and portray their images. The formation of the middle ancient Buddhist preface and postscript characters is the result of the common action of many factors: the inheritance of the preface and postscript characters; To the Buddhist scripture notes the human writing method the reference; The need to record the history of Buddhism; The characters of the preface and postscript of the Middle Ancient Buddhism have important value: it shows the close combination of the preface and postscript of the Middle Ancient Buddha and the activities of the Buddha; Enriched the contents of the preface and postscript of the Middle Ancient Buddhist Code; To make the style of preface and postscript of the middle ancient Buddhist scripture diversified.
【作者单位】：河南师范大学图书馆;
【基金】：教育部哲学社会科学研究重大课题攻关项目(12JZD008) 河南省教育厅人文社会科学重点项目(2016-ZD-017) 河南师范大学博士科研启动费支持课题(QD15197)
【分类号】：I206.2
【正文快照】： 序跋记人笔法的形成经历了漫长过程,在先秦时,序跋并未涉及对人物的记载,其题写者形象并未呈现,《诗论》《诗序》均未述及孔子及子夏,《高唐赋序》《神女赋序》中尽管有宋玉与楚王的对话,然而这些对话过于简单,不足以勾勒出宋玉的形象。降至汉代,《太史公自序》一改前人的笔法

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