中国新文学图志上的“北上广”

发布时间：2018-03-08 03:30

  本文选题：中国新文学图志　切入点：“北上广”　出处：《贵州社会科学》2017年11期 　论文类型：期刊论文

【摘要】：中国新文学史上,"北上广"有着重要的地位与作用。北京是"文学革命"的策源地,上海是"左翼文学"的中心,京派、海派文学拓宽了它们的辐射面,形成各自的审美特色,前者厚重,后者开放。与北京、上海相比,广州在文学地位、创作实力等方面逊色不少,中心气象明显不足。进入新世纪,"北上广"的文学中心地位开始下滑,与经济的"北上广"相比,文学的"北上广"在褪色、泛化,仅在一些文学现象与事件中,尚能看到它们的影像。今天,多元化、个体化文学仍在继续,期待"北上广"为文坛增添新的生机和活力。
[Abstract]:In the history of Chinese new literature, "going north to the broad" plays an important role. Beijing is the birthplace of the "literary revolution", Shanghai is the center of "left-wing literature", and the literature of Beijing and Shanghai has broadened their radiation surface and formed their own aesthetic characteristics. The former is heavy and the latter is open. Compared with Beijing and Shanghai, Guangzhou is inferior in terms of literary status and creative strength, and its central atmosphere is obviously inadequate. In the new century, the status of "going north to Guangzhou" has begun to decline. Compared with the economic "going north to the broad", the literature "going north" is fading and spreading, and only in some literary phenomena and events can we see their images. Today, diversified and individualized literature is still continuing. Looking forward to "going north to wide" for the literary world to add new vitality and vitality.
【作者单位】： 上海师范大学;
【分类号】：I206.6
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本文编号：1582231