山谷诗的自由王国

发布时间：2018-03-29 16:43

  本文选题：黄庭坚　切入点：语序　出处：《安徽大学学报(哲学社会科学版)》2017年05期

【摘要】：黄庭坚作为宋诗的典型,在诗艺的诸多层面继承并拓展了传统,成为"句法诗学"的集大成者。语序是山谷"句法"的核心之一,平仄、节奏以及押韵等因素限制了诗歌语序的形成,但经过诗人的自觉追求,可造就一类特殊格调。山谷的"用典法"已构成了一套独特的"典故体系",其重要方法如"用全语""错本旨"等多能体现其"瘦硬"精神,而用典的"程式化"更是宋人诗学的一大异观。在"远境"的追求中,山谷于"篇中远"及"句中远"独擅胜场,以句法的承接、断裂、省略来营造"句中远",则更具"山谷风味"。要之,黄庭坚的"句法诗学"为古典诗歌带来了全面突破,已足以构成一座诗歌领域的"自由王国"。
[Abstract]:Huang Tingjian, as a typical poem of Song Dynasty, inherited and expanded the tradition in many aspects of poetic art, and became the epitome of syntactic poetics. Rhythm and rhyme and other factors limit the formation of poetry word order, but through the poet's conscious pursuit, The "canonical method" of the valley has formed a unique "allusions system", and its important methods, such as "using the whole language" and "making mistakes in the original purpose", can embody its spirit of "thin and hard". In the pursuit of "far territory", the valley is unique in "Zhongyuan" and "sentence Zhongyuan", and it is a syntactic undertaking and breaking. Omitting to create a "middle and distant sentence" is more "valley flavor". To sum up, Huang Tingjian's "syntactic poetics" has brought a breakthrough in classical poetry, which is enough to form a "free kingdom" in the field of poetry.
【作者单位】： 南京大学文学院;
【基金】：国家社科基金一般项目(13BZW034)
【分类号】：I207.22
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本文编号：1681975