“大众形象”:当代小说研究的一种视角

发布时间：2018-04-03 13:14

本文选题：“大众形象”　切入点：文本“顽症”　出处：《青海社会科学》2017年05期

【摘要】：就20世纪80年代以来的小说创作来看,每一个文学潮流代表性的作品中都存在着生动而丰富的"大众形象",然而以"大众形象"为视角的小说研究却少之又少。"大众形象"虽在不同时代语境的小说作品中体现出相异的涵义,但他们具有匿名性、静态性、文化逼真性等共同的特质。在文学作品中,"大众形象"主要以文本难点或者文本"顽症"的曲折方式来协助完成文本主题意义的建构,这首先在于"大众形象"身上交织着复杂的集体无意识与社会意识。同时,"大众形象"在事件冲突所支撑起的意义场域具有一种驳杂的动态性,这也是构成"难点"与"顽症"的重要原因。"大众形象"不仅丰富地体现了社会转型过程中新旧力量的相互交叠、重合、对抗以及妥协,而且还如滤镜般折射了作家审视和反思历史现实的价值立场与基本态度,成为解读转型社会特征的另一种独特方式。
[Abstract]:From the point of view of the novel creation since 1980s, there is a vivid and rich "mass image" in the representative works of every literary trend, but the study of the novel from the perspective of "mass image" is rare. "Although the mass images have different meanings in the novels of different times, they have the same characteristics such as anonymity, statics, cultural lifelike and so on.In literary works, "mass image" mainly helps to complete the construction of text theme meaning by the twists and turns of text difficulty or text "stubborn disease", which lies in the complex collective unconscious and social consciousness intertwined with "mass image".At the same time, the "mass image" has a mixed dynamic character in the meaning field supported by the incident conflict, which is also an important reason for the "difficult" and "stubborn". "Mass image "not only reflects the overlap, overlap, confrontation and compromise of new and old forces in the process of social transformation, but also reflects the value standpoint and basic attitude of writers to examine and reflect the historical reality."It has become another unique way to interpret the characteristics of the transitional society.
【作者单位】：辽宁师范大学文学院;
【基金】：教育部人文社会科学研究青年基金项目“‘大众形象’与1980年代社会转型——1985年前后的中国文学研究”(13YJC751074)的阶段性成果
【分类号】：I207.42

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