臧懋循曲学理论的诗学根源及其诱因

发布时间：2018-04-20 13:54

本文选题：臧懋循 + 曲学理论　；参考：《中国韵文学刊》2017年03期

【摘要】：臧懋循曲学理论的形成与其诗学思想有着密切的关联:从尊诗体到尊曲体,从尊诗之古体到尊曲之北曲,从重诗之音格到重曲之音律,从倡导诗之声调与理意兼顾到主张曲之声情与词理兼备。臧懋循的曲学理论之所以被深深地植入了其诗学思想,既由当时崇古复古的文艺思潮所诱发,更受其个人凸显的众体兼备的创作才华、重视韵文的价值取向和精晓音律的术业专长的诱使。诗学思想的某些内容可转化为曲学理论的某些主张,这一现象在明清两代虽不限于臧懋循一人,但以臧懋循较为典型。任何曲学理论与诗学思想皆非孤立现象,深入考察曲学和诗学的内在联系,对于拓展曲学与诗学的理论范畴有重要意义。
[Abstract]:The formation of Zang Mao-qu theory is closely related to his poetic thought: from the poetic style to the music style, from the ancient style to the northern song, from the tone of the poem to the rhythm of the song. From advocating both the tone and reason of poetry to the sound and emotion of advocating song and the combination of ci and theory. Zang Maoxun's theory of qu studies was deeply embedded in his poetic thought, which was not only induced by the literary and artistic thoughts that worshipped ancient times at that time, but also by his creative talent, which was highlighted by his individual and various styles. Attach importance to the value orientation of verse and the inducement of rhythmic technical expertise. Some contents of poetics can be transformed into some ideas of qu theory. Although this phenomenon was not limited to Zang Maoxun one person in Ming and Qing dynasties, Zang Maoxun was a more typical one. Any theory of qu and poetics is not an isolated phenomenon. It is of great significance to explore the internal relationship between the theory of qu and poetics.
【作者单位】：广东省东莞市广播电视大学教学处;南京师范大学文学院;
【分类号】：I207.2

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