《诗经》草本植物类意象研究

发布时间：2018-04-25 20:35

本文选题：《诗经》 + 草本植物　；参考：《山西师范大学》2017年硕士论文

【摘要】：《诗经》从其被修订成书以后,对于它的研究就从未中断。研究的路径也日益丰富,有从语言学角度入手的,有从文学角度入手的,有从民俗学角度入手的,还有从文化人类学角度入手的。路数虽然不同,但研究的成果却相得益彰,这不仅丰富了《诗经》的研究,还给其它研究提供了基础性的材料。名物学,作为传统训诂学研究的重要分支,其开端可追溯到《诗经》的研究上来。本文将《诗经》当作文本,把包含在内的八十多种草本植物类名物当作基础,同时把历代最主要的、最具代表性的研究著作当作材料,运用分析、综合的方法,并结合前人优秀成果展开探讨。本文首先是对《诗经》中草本之物类名词的研究结果进行了分类总结,这是探究“本物”,即“象”的意义来源;然后分析、获取隐藏在“象”后面的“意”,即在每一首诗中挖掘每一类草本植物的文学性,并试图辨清草本植物类意象与赋、比、兴的关系,最后点明草本植物类意象所产生的形象效果及其所承载的文化内涵。本文的主要内容具体如下:绪论本部分主要围绕选题缘由,如何论证这个题目,论证过程中采取什么办法,运用什么思路等内容展开,并交代说明这个选题的研究价值及意义。第一章本章主要是做基础材料的分类整理,即对《毛诗正义》、《毛诗草木鸟兽虫鱼疏》、《诗集传》、《毛诗名物图说》、《植物名实图考》、《诗草木今释》、《诗经名物图》等主要著作中涉及草本植物的部分进行分类整理,并辨别其描述的差别,客观真实地还原草本植物的原貌。第二章本章主要是解析草本植物类意象的生成原因及其产生的思维定式。“意象”的生成是主观的“意”与客观的“象”的完美结合。草本植物作为客观物象的存在,呈现着属于它自己的特点,诸如直观的形态(蔓长的枝叶、粗壮的茎干、美丽的花朵、喜悦的果实等),生长的位置(道边、池塘、山地、农田等),生长的季节性等等。而作为主观愿望的发出者,人们为了“借物抒情”,必然会留意草本植物的诸多特点之一,二者的完美结合是意象得以生成的主要原因。除此之外,还有一些人为的因素,如历史传统、宗教信仰等也会促使人们选择相关的草本植物来表情达意的。在辨析意象生成原因的过程中,探讨了先民的思维方式:“感物而动”到“超以物外”。第三章本章主要围绕草本植物类意象与赋、比、兴三者之间的关系展开。随着现代修辞学的不断发展,修辞学的内容不断丰富。笔者意欲以草本植物类意象为桥梁,把古老的赋、比、兴与现代修辞学知识连接起来,这有助于清晰地理清草本植物类意象与赋、比、兴的关系。第四章本章主要挖掘草本植物类意象所承载的文化内涵,具体内涵指向为:采集文明与农耕文明并存,原始宗教信仰的遗存,淳朴婚恋风俗的遗留。结论本部分是对全文的总结,点明观点,得出结论。《诗经》的研究不会有结点,我们首先要尊重前人的优秀研究成果,但不能被其拘泥,要随着考古的新发现,知识的不断更新而继续将研究向前推进。本文的不足之处,今后努力的方向和提升的空间等,也在本部分有所说明。
[Abstract]:< Book of Songs > it has never been interrupted since it was revised and its research has never been interrupted. The path of the study is increasingly rich, from the perspective of linguistics, from the perspective of literature, from the perspective of folklore, and from the perspective of cultural anthropology. Although the number of roads is different, the results of the study complement each other, which is not only abundant. The study of < Book of Songs > provides basic materials to other studies. Nominology, as an important branch of traditional exegesis, begins with the study of < Book of Songs >. This article takes "Book of Songs >" as a text, based on the more than 80 herbaceous plants including the most important and most representative of the previous dynasties. The research work of sex is used as material, using analysis, comprehensive method, and combining the outstanding achievements of the predecessors. First, the paper classifies the results of the research of the nouns of the herbs in the Book of Songs, which is the source of the meaning of "the object", that is, the "elephant"; but after the analysis, the "meaning" hidden behind the "elephant" is obtained. In each poem, we excavate the literariness of each kind of herbaceous plant, and try to distinguish the relationship between the image and Fu, the ratio and the Xing, and finally point out the image effect and the cultural connotation of the herbaceous plant image. The main contents of this article are as follows: the thread is mainly about the reason of the topic, and how to demonstrate this The first chapter is to do the classification of the basic materials, namely, "Mao Shi justice", "Mao and wood, bird, bird, bird, insect and fish", "poetry", "Mao poem name diagram >", "plant name Map >", < poetry and wood. The second chapters of the second chapter are mainly to analyze the causes of the generation of the images of the herbaceous plants and their thinking patterns. The formation of "images" is the subjective "meaning" and the "meaning". The perfect combination of the objective "elephant". The herbaceous plant, as the existence of an objective object, presents its own characteristics, such as the visual form (the long branches and leaves, the stout stems, the beautiful flowers, the joyful fruit, etc.), the position of the growth (the side, the pond, the hill, the farmland, etc.), the seasonal nature of growth, and so on. In order to "borrow things to lyric", people are bound to pay attention to one of the many characteristics of the herbaceous plants. The perfect combination of the two is the main reason for the creation of images. In addition, there are some human factors, such as historical traditions, religious beliefs, etc., which also encourage people to choose related herbs to express their meaning. In the course of the cause, the thinking mode of the ancestors was discussed: "feeling and moving" to "beyond the object". Third Zhang Benzhang mainly revolves around the relationship between the image and Fu, the ratio and the three. With the continuous development of modern rhetoric, the content of rhetoric is constantly enriched. The author intends to bridge the image of herbaceous plants, Connecting the ancient Fu, ratio, Xing and modern rhetoric knowledge, this helps to clear the relationship between the image and Fu, the ratio, and the relationship. The fourth chapter mainly excavates the cultural connotation of the herbaceous plant image. The concrete connotation points to the coexistence of the collection civilization and the farming civilization, the remains of the primitive religious belief, the simple marriage. This part is a summary of the customs. Conclusion this part is a summary of the full text, points out the point of view, and draws a conclusion. The study of < Book of Songs > will not have a node. First we should respect the outstanding achievements of the predecessors, but we should not be constrained by it. With the new discoveries of Archaeology and the continuous renewal of knowledge, we will continue to advance the research. The direction of force and the space for improvement are also explained in this part.

【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

【参考文献】