诗之声与乐之心——对《诗经》“鼓簧诗”的还原阐释

发布时间：2018-05-05 15:49

本文选题：《诗经》 + 鼓簧诗　；参考：《文学评论》2017年04期

【摘要】：口簧作为一种盛行于三代的乐器,见于《国风》和《小雅》,堪称风雅之音。由于《诗经》的基本文化属性是以音乐为母体的歌诗,因此,我们对其中的每首歌诗或者说乐诗的观察,都离不开音乐以及产生音乐的媒介——人和人所操作的乐器。本文通过追溯我国的口簧艺术史,从口簧的演奏技法及其作为原始乐器的一以贯之的文化功能出发,结合其目前在我国少数民族地区的文化遗存,对《诗经》中的三首涉及鼓簧艺术的歌诗重新进行阐释,以期恢复其思想旨趣和艺术特色之本真,并由此进一步彰显这部古老的歌诗选集在诗学、音乐学、民族学、文化学、民俗学乃至历史学等多方面的重要价值。
[Abstract]:As a popular musical instrument in three generations, the oral spring can be seen in Guofeng and Xiaoya, which can be called the sound of elegance. Because the basic cultural attribute of the Book of songs is the song poem with music as its mother body, therefore, our observation of every song poem or music poem is inseparable from music and the musical instruments operated by people and people. By tracing back to the history of the orifice spring art in our country, this paper starts from the performing technique of the mouth spring and its consistent cultural function as a primitive musical instrument, and combines its cultural relics in the minority areas of our country at present. In the Book of songs, three songs related to the art of drum spring are reinterpreted in order to restore the essence of their ideological purport and artistic characteristics, and thus further highlight this ancient anthology of song poems in poetics, musicology, ethnology and cultural studies. Folklore and even history and other aspects of important value.
【作者单位】：中国社会科学院文学研究所;
【基金】：内蒙古社会科学院“草原文化工程”三期工程国家社科基金特别委托项目“草原呼麦文化研究——呼麦文化史”(项目批准号:CYWH2015-02)阶段性成果中国社会科学院文学研究所中国古代文学学科学术创新工程阶段性成果
【分类号】：I207.22

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