汉代骚体赋的京都抒写

发布时间：2018-05-10 09:15

本文选题：屈辞 + 汉代　；参考：《华南师范大学学报(社会科学版)》2017年05期

【摘要】：汉代骚体赋承续了屈辞的恋都主题,而在汉代不同时期的政治环境中具有分化的表现。屈辞抒写的郢都,恒与家国、姓族、故乡乃至自身命运、政治理想、姓族荣耀一体交融。然而骚体赋在东汉中期以前的帝京眷恋却排斥了故乡的思念,变成政治热情和出处志节的单项维系,这是皇权稳固的时代士人政治热情的集中体现。东汉中后期皇权渐衰的政治局面和仕进不达的现实困境反映为骚体赋抒写对于京都的疏离,故乡的回归成为抒写的主题。从屈辞到骚体京都抒写的汉代演变,显示为一体文学的主题回环与分化过程,反映了士人对于政治仕进依违难决的矛盾心态。
[Abstract]:The Fu of Sao style of Han Dynasty inherits the theme of love of qu ci, and it has the performance of differentiation in the political environment of different periods of the Han Dynasty. Yingdu, written by qu ci, blends with family, family, family, hometown and even their own destiny, political ideal and family glory. However, the attachment of Sao style Fu to the imperial capital before the middle of the Eastern Han Dynasty rejected the yearning of his hometown and turned into a single maintenance of the political enthusiasm and the origin of the festival, which was the concentrated embodiment of the political enthusiasm of the scholars in the era of stable imperial power. The declining political situation of imperial power in the middle and late period of the Eastern Han Dynasty and the realistic predicament of failing to make progress reflect the alienation of Kyoto by Sao style Fu, and the return of hometown becomes the theme of expression. The evolution of the Han Dynasty, from qu ci to Sao style Kyoto, shows the process of theme return and differentiation as a whole literature, which reflects the contradictory mentality of the scholars for the political advance.
【作者单位】：吉林大学文学院;
【基金】：教育部人文社会科学研究青年基金项目“汉代文学与都邑文化”(11YJC751030) 吉林大学前沿与交叉学科项目“汉代城市与汉赋”(2012QY003)
【分类号】：I207.22

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