明清小说庭园叙事的空间解读——以《金瓶梅》与《红楼梦》为中心

发布时间：2018-05-11 13:56

本文选题：明清小说 + 庭园叙事　；参考：《明清小说研究》2017年02期

【摘要】：明清小说中多有庭园叙事,以庭园为背景的故事段落往往与空间场景相互呼应,从而推衍情节,刻画人物,凸显主题。本文聚焦小说中的庭园空间,展现建筑实体与文本结构之间丰富而生动的互文关系,借助窥听视角深入理解庭园空间之间的过渡与渗透,进而揭橥庭园作为心灵栖居地、爱情理想国、死亡隐秘所等三重文化属性。福柯提出的"异托邦"理论为庭园空间的哲学解读提供了重要启示。
[Abstract]:In the novels of Ming and Qing dynasties, there are garden narration, and the story paragraphs with garden as the background often echo each other with the space scene, so as to devolve the plot, depict the characters and highlight the theme. This paper focuses on the garden space in the novel, shows the rich and vivid intertextuality relationship between the architectural entity and the text structure, and deeply understands the transition and infiltration between the garden space with the help of a voyeuristic perspective, and then reveals the garden as a place of spiritual residence. The ideal country of love, the secret place of death and other triple cultural attributes. Foucault's "heterotopia" theory provides important inspiration for the philosophical interpretation of garden space.
【作者单位】：浙江师范大学人文学院;
【分类号】：I207.41

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