论近体诗中用字的“平仄假借”现象

发布时间：2018-06-15 06:31

  本文选题：近体诗 + 破读字　； 参考：《中国典籍与文化》2017年02期

【摘要】：在作近体诗时,如遇到平仄两读的破读字,而该字的平声表示的意义和仄声表示的意义又不同时,诗人偶尔也会主观地把两种字音与字义交换搭配。这样,该字就成了义从平声、读从仄声,或者义从仄声、读从平声。这种做法可称之为"平仄假借",其目的是使诗中的用字既符合近体诗的格律规范,又满足诗人的表达需要。了解平仄假借现象对欣赏和研究诗歌具有重要意义。
[Abstract]:In writing near-body poems, if the two-reading words are broken, and the meaning of the two words is different, the poet will occasionally match the two sounds subjectively with the meaning of the word. In this way, the word becomes the meaning from the tone, read from the tone, or meaning from the tone, read from the flat voice. The purpose of this practice is to make the characters in poetry conform to the rules of modern poetry and meet the needs of poets' expression. It is of great significance to understand the phenomenon of "flat borrowing" for appreciating and studying poetry.
【作者单位】： 首都师范大学中国诗歌研究中心;
【基金】：北京大学翁洪武学术创新研究基金资助项目“近体诗中用字的‘平仄假借’现象研究”的阶段性成果
【分类号】：I207.2
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本文编号：2021046