论苏轼的“无还”之道

发布时间：2018-06-24 06:23

本文选题：苏轼 + 艺术哲学　；参考：《文艺研究》2017年11期

【摘要】："无还"是苏轼艺术哲学的核心概念,它主要是在佛经《楞严经》影响下产生的。苏轼以"无还"为中心建立的理论,从"性"上言,要变外在"道"的追求为内在妙明本心的发现;从"见"上言,由渺然归程的寻觅转向对当下直接生命体验的重视;从"变"上言,要超越生成变坏的表相而直呈随处充满的生命真实;从"物"上言,化"留意"于物的物我相互奴役为齐同物我的契合如如境界。这一思想直接影响他关于艺术创造、赏鉴等相关问题的看法,也是深埋在其纷纭复杂艺术哲学思想内部的一条主脉。苏轼是中国传统文人艺术的思想领袖,以他为首的文人集团的形成,标志着传统文人艺术真正成为一种与重载道、顺秩序一脉思想相抗衡的思潮。以"无还"为基础概念的苏轼艺术哲学思想,对南宋以来文人艺术的发展产生了根本性的影响。
[Abstract]:"No return" is the core concept of Su Shi's philosophy of art, and it is mainly produced under the influence of the Buddhist Sutra, the Shurangama Sutra. The theory established by Su Shi with "no return" as the center, from "nature" to "nature", to change the pursuit of external "Tao" into the discovery of the inner and subtle heart, from "seeing" to "seeing", from the seeking of the ethereal return course to the attention to the immediate direct life experience; From the word "change", we should go beyond the creation of a bad surface and present the reality of life everywhere; from the word "things", "pay attention to" things I enslaved each other into the same things as my congenial realm. This thought has a direct influence on his views on artistic creation, appreciation and other related issues, and is also a main vein embedded in his complicated philosophy of art. Su Shi is the thought leader of the Chinese traditional literati art. The formation of the literati group headed by him symbolizes that the traditional literati art has become a kind of ideological trend that competes with the thought of reloading the Tao and following the order. Su Shi's philosophy of art, based on the concept of "no return", had a fundamental influence on the development of literati art since the Southern Song Dynasty.
【作者单位】：北京大学哲学系;
【分类号】：B244.99;I206.2

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