沈传桂及其词学研究
发布时间：2018-08-12 11:48
【摘要】：沈传桂(1792——1849),字隐之,一字闰生,号肝若,一号伽叔,江苏长洲人。嘉庆二十四年(1819)副榜,道光十二年(1832)举人,官松陵县(今江苏吴江)教谕。与朱绶、沈彦曾、吴嘉m$、戈载、王嘉禄及陈彬华合称"吴中七子"。因其词中爱用"夕阳"二字,世人称之"沈夕阳"。现存《清梦庵二白词》五卷,分卷名为《莺天笛夜新声》一卷、《今雪雅馀》一卷、《兰骚剩谱》一卷、《小临印琴弄》一卷、《霏玉集》一卷,共230首。本文主要以沈传桂及其词作为研究对象,梳理沈传桂生平交游情况,对沈传桂及其词作进行系统的研究,进而研究沈传桂的词学思想,力求全面客观地评价沈传桂在清代词坛上的地位与贡献。第一章绪论主要阐述论文选题缘起和意义,对沈传桂研究现状进行综述。第二章对沈传桂的生平及其著作进行考述。生平考以两次中榜为线索,将沈传桂的人生际遇分为三个方面,分别是"考中副榜,初显声名"、"高中举人,交游唱和"和"屡试不售,闭户著书"。著作考方面主要是全面搜集并整理沈传桂现存的文学著作,就其版本之间的异同进行考述。第三章研究沈传桂的交游情况,主要与戈载、朱绶、邵堂、曹iY坚,蒋志凝等人的交游唱和。第四章则以沈传桂《清梦庵二白词》为研究对象,主要研究其题材内容,可分为纪时词、抒怀词、体物词,述艳词和集句词。第五章主要在细读文本的基础上进行《清梦庵二白词》的艺术特色的研究,分别从风格特征和表达技巧两方面来论述。其风格特征可分为词境清幽和词情真挚两个方面,表达技巧主要表现在三个方面,分别是比兴寄托,意象堆砌;锻字炼句,善于用典;用调广泛,词律严谨。第六章主要是探究沈传桂词学思想及清代词学的关系。第一部分内容则是结合其词作,加之其他人为做的序以及后人的评价来总结概括沈传桂的词学思想,其词学思想共三个方面:一是溯晚唐,宗南宋;二是尊词体,重声律;三是重清空,举骚雅。第二部分则是梳理嘉道词坛的概况,并探究沈传桂词学思想与嘉道词坛间的关系。结语部分对全文内容进行总结,并且就文章内容对沈传桂进行全面客观地评价。论文附录部分为沈传桂的事迹编年,依据现有资料对沈传桂生平经历和文学创作进行了编年,方便后人的了解和查阅。本文的创新部分有三点:第一,本文是第一次对沈传桂进行系统的研究,沈传桂身为吴中词派的代表人物,一直未得到学术界的重视,故而笔者就根据现有文献资料对沈传桂进行研究。第二,沈传桂一直被世人称为沈夕阳,因此笔者在意象分析时就着重对其夕阳词进行分析。这也是一个亮点所在。第三,沈传桂的词学思想中有很多值得我们挖掘的地方,如溯晚唐,宗南宋。这些词学思想是当时很多文人都不具备的,也是其异于他人之处。
[Abstract]:Shen Chuangui (1792-1849), the word hidden, a intercalated student, Gan Ruo, the first uncle, Changzhou, Jiangsu Province. Jiaqing 24 years (1819) vice-list, Daoguang 12 years (1832), Guan Songling County (now Jiangsu Wu Jiang) oracle. With Zhu Shou, Shen Yanzeng, Wu Jia Mian, GE Zai, Wang Jialu and Chen Binghua are collectively called "Wu Zhong Seven." Because of its love to use the word "sunset", the world called "Shen Xiyang." The existing "Qingmenan two white words" five volumes, divided by the name of "Ying Tian di night new sound" one volume, "today Xueya Yu > one volume," Lansau residual spectrum "one volume," Xiaobin Yin Qin > one volume, "< Fei Yu Ji > one volume, a total of 230. This article mainly takes Shen Chuangui and his ci as the research object, combs Shen Chuangui's life and travel situation, carries on the systematic research to Shen Chuangui and his ci poems, and then studies Shen Chuangui's ci poetry thought. To comprehensively and objectively evaluate Shen Chuangui's position and contribution in the ci poetry of Qing Dynasty. The first chapter introduces the origin and significance of the topic, and summarizes the current research situation of Shen Chuangui. The second chapter studies Shen Chuangui's life and his works. Taking two times as the clue, Shen Chuangui's life experience is divided into three aspects, namely, "the deputy list in the examination, the first showing fame", "high school to raise people, to make friends and to" repeatedly try not to sell, close the door to write books. In the aspect of examination, Shen Chuangui's existing literary works are collected and sorted out, and the similarities and differences between his versions are discussed. The third chapter studies the friendship of Shen Chuangui, mainly with the friends of Gozai, Zhu Shou, Shaotang, Cao Yijian and Jiang Zhi-ning. The fourth chapter focuses on Shen Chuangui's "Qingmenan Erbai ci", and mainly studies its subject matter, which can be divided into Ji Shi ci, expressing ci, body word, Shuyan ci and Ji sentence word. The fifth chapter mainly studies the artistic characteristics of "Qingmenan Erbai ci" on the basis of careful reading of the text, respectively from two aspects of style and expression skills. The characteristics of its style can be divided into two aspects: quiet and sincere in ci, and the expressive skills are mainly expressed in three aspects, namely, Bi Xing sustenance, image stacking, forging sentences, good at use of allusions, and extensive use of tone and strict rules of ci. The sixth chapter mainly explores the relationship between Shen Chuangui's ci-poetry thought and Qing Dynasty's ci-poetry. The first part is to sum up Shen Chuangui's ci thoughts by combining his ci works with the preface made by others and the evaluation of later generations. His ci theory thought consists of three aspects: first, tracing back to the late Tang Dynasty, living in the Southern Song Dynasty, second, respecting the ci style and emphasizing the sound and rhythm; Three is the heavy empty, raises the Sao elegant. The second part is to sort out the general situation of Jia Dao ci, and to explore the relationship between Shen Chuangui's ci-poetry thought and Jia Dao ci circle. The conclusion part summarizes the content of the article and evaluates Shen Chuangui comprehensively and objectively. The appendix part of the thesis is the chronicle of Shen Chuangui's deeds, which chronicles Shen Chuangui's life experience and literary creation according to the existing data, which is convenient for future generations to understand and consult. The innovation of this paper has three points: first, this paper is the first systematic study of Shen Chuangui, Shen Chuangui, as a representative figure of Wu Zhong ci School, has not been paid attention to by the academic circles. Therefore, the author on the basis of existing literature on Shen Chuangui research. Second, Shen Chuangui has been known as Shen Xiyang, so the author focuses on the analysis of his sunset words. This is also a bright spot. Third, Shen Chuangui's ci-poetry thought is worth digging up, such as the late Tang Dynasty and the Southern Song Dynasty. These ci-poetry thoughts were not available to many scholars at that time and were different from others.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23
本文编号：2178963
[Abstract]:Shen Chuangui (1792-1849), the word hidden, a intercalated student, Gan Ruo, the first uncle, Changzhou, Jiangsu Province. Jiaqing 24 years (1819) vice-list, Daoguang 12 years (1832), Guan Songling County (now Jiangsu Wu Jiang) oracle. With Zhu Shou, Shen Yanzeng, Wu Jia Mian, GE Zai, Wang Jialu and Chen Binghua are collectively called "Wu Zhong Seven." Because of its love to use the word "sunset", the world called "Shen Xiyang." The existing "Qingmenan two white words" five volumes, divided by the name of "Ying Tian di night new sound" one volume, "today Xueya Yu > one volume," Lansau residual spectrum "one volume," Xiaobin Yin Qin > one volume, "< Fei Yu Ji > one volume, a total of 230. This article mainly takes Shen Chuangui and his ci as the research object, combs Shen Chuangui's life and travel situation, carries on the systematic research to Shen Chuangui and his ci poems, and then studies Shen Chuangui's ci poetry thought. To comprehensively and objectively evaluate Shen Chuangui's position and contribution in the ci poetry of Qing Dynasty. The first chapter introduces the origin and significance of the topic, and summarizes the current research situation of Shen Chuangui. The second chapter studies Shen Chuangui's life and his works. Taking two times as the clue, Shen Chuangui's life experience is divided into three aspects, namely, "the deputy list in the examination, the first showing fame", "high school to raise people, to make friends and to" repeatedly try not to sell, close the door to write books. In the aspect of examination, Shen Chuangui's existing literary works are collected and sorted out, and the similarities and differences between his versions are discussed. The third chapter studies the friendship of Shen Chuangui, mainly with the friends of Gozai, Zhu Shou, Shaotang, Cao Yijian and Jiang Zhi-ning. The fourth chapter focuses on Shen Chuangui's "Qingmenan Erbai ci", and mainly studies its subject matter, which can be divided into Ji Shi ci, expressing ci, body word, Shuyan ci and Ji sentence word. The fifth chapter mainly studies the artistic characteristics of "Qingmenan Erbai ci" on the basis of careful reading of the text, respectively from two aspects of style and expression skills. The characteristics of its style can be divided into two aspects: quiet and sincere in ci, and the expressive skills are mainly expressed in three aspects, namely, Bi Xing sustenance, image stacking, forging sentences, good at use of allusions, and extensive use of tone and strict rules of ci. The sixth chapter mainly explores the relationship between Shen Chuangui's ci-poetry thought and Qing Dynasty's ci-poetry. The first part is to sum up Shen Chuangui's ci thoughts by combining his ci works with the preface made by others and the evaluation of later generations. His ci theory thought consists of three aspects: first, tracing back to the late Tang Dynasty, living in the Southern Song Dynasty, second, respecting the ci style and emphasizing the sound and rhythm; Three is the heavy empty, raises the Sao elegant. The second part is to sort out the general situation of Jia Dao ci, and to explore the relationship between Shen Chuangui's ci-poetry thought and Jia Dao ci circle. The conclusion part summarizes the content of the article and evaluates Shen Chuangui comprehensively and objectively. The appendix part of the thesis is the chronicle of Shen Chuangui's deeds, which chronicles Shen Chuangui's life experience and literary creation according to the existing data, which is convenient for future generations to understand and consult. The innovation of this paper has three points: first, this paper is the first systematic study of Shen Chuangui, Shen Chuangui, as a representative figure of Wu Zhong ci School, has not been paid attention to by the academic circles. Therefore, the author on the basis of existing literature on Shen Chuangui research. Second, Shen Chuangui has been known as Shen Xiyang, so the author focuses on the analysis of his sunset words. This is also a bright spot. Third, Shen Chuangui's ci-poetry thought is worth digging up, such as the late Tang Dynasty and the Southern Song Dynasty. These ci-poetry thoughts were not available to many scholars at that time and were different from others.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23
【参考文献】
相关期刊论文 前3条
1 马大勇;;论近代苏州词坛的创作构成与理论祈向[J];求是学刊;2011年01期
2 沙先一;吴中词派与嘉道词风[J];文学评论;2004年01期
3 沙先一;论清代吴中声律词派的形成及其特色[J];江海学刊;2001年02期
，本文编号：2178963
本文链接：https://www.wllwen.com/gudaiwenxuelunwen/2178963.html
