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论陶渊明对“宋初三体”诗创作的影响

发布时间:2018-11-19 07:50
【摘要】:历来论者言及陶渊明在宋代的影响,多以梅尧臣始。然细察史料可知:梅尧臣前的宋初六十年,以"宋初三体"为代表之文人,就已开始接受陶渊明之影响。在某种程度上,"宋初三体"对陶渊明诗风和人格的不同解读,使宋初诗坛呈现丰富多彩的面貌,这为宋代乃至宋代以后的各朝诗歌稳健发展奠定了坚实的基础。具体而言:白体诗师法陶渊明之吏隐态度,提倡知足保和、洁身自高的"中隐"态度,在诗作中表现为言行不一;晚唐体学习其洁身自好、情趣高雅的隐士之风,以不恋尘俗的隐士形象追求"小隐"的境界,使心灵与行为合一;西昆体对陶渊明的偶尔标举,主要是一种附庸风雅,其欲兼得仕禄与隐名之投机心态,可称之为"大隐"。
[Abstract]:The influence of Tao Yuanming in the Song Dynasty was always talked about by Mei Yaochen. However, a careful study of historical data shows that in the early sixty years of Song Dynasty before Mei Yaochen, the literati represented by "three types of the early Song Dynasty" began to accept the influence of Tao Yuanming. To a certain extent, the different interpretations of Tao Yuanming's poetic style and personality in the early Song Dynasty made the poetry of the early Song Dynasty take on a rich and colorful outlook, which laid a solid foundation for the steady development of the poems of each dynasty in the Song Dynasty and even after the Song Dynasty. Concretely speaking: the official hidden attitude of Tao Yuanming, advocating contentment and keeping peace, clean body from the high "hidden" attitude, in the poetry performance for different words and deeds; In the late Tang Dynasty, he learned his style of self-purification and elegant recluse, and pursued the realm of "small hidden" with the image of hermit who did not fall in love with worldly customs, so that the soul and behavior could be United in one. The occasional presentation of Tao Yuanming by the Western Kuns is mainly a kind of vassal elegance, whose desire for both Shi Lu and hidden name is speculative, which can be called "Great Hidden".
【作者单位】: 吉林大学文学院;
【分类号】:I207.22

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