徐灿《拙政园诗集》研究
发布时间：2018-11-21 19:05
【摘要】：徐灿是明末清初著名女词人、诗人,在中国女性文学史上有着重要的地位。著有《拙政园诗集》、《拙政园诗馀》。学者们多对徐灿词有较高的评价和深入的研究,而对徐灿诗的研究则冷寂薄弱,研究资料仅见于对其诗的初探之文或在对徐灿词进行分析时的一笔带过。徐灿的《拙政园诗集》收录古近体诗共二百四十六首,其诗较为全面地反映了徐灿人生不同时期的经历与心境,诗才之高,不同凡响。本文主要从明末清初女性文学创作的潮流及徐灿生平遭际、题材内容、艺术特色和《拙政园诗集》的性别意义及社会价值等四个方面展开论述,力求勾勒出《拙政园诗集》的主要面貌特征,通过对其全面分析,弥补目前学术界对《拙政园诗集》研究的空缺,使更多人认识到它的价值和意义。引言部分介绍了徐灿诗词的基本创作情况,梳理了其诗词的研究状况,阐发了研究徐灿诗集的意义与目的,并对研究论著的内容、观点及方法作了简要的概括。第一章分两节论述。第一节对整个明末清初时期的女性文学创作进行概述,点明这个时期的女性群体创作勃兴为徐灿的诗词创作奠定了基础。第二节紧扣古今学者对徐灿诗词的研究成果及徐灿的相关诗歌,对徐灿生平做了全面细致的梳理,将其人生遭际分为“始历甜愉”和“晚遭坎壤”两个阶段。第二章在前文研究的基础上,将徐灿诗歌与人生阅历相关联,分析《拙政园诗集》的题材内容。本文认为《拙政园诗集》有如下题材:写景咏物、拟古咏史、赠答送别、生活感怀、题画、游仙诗等,对每一类题材都结合具体作品作了审美探析。第三章探讨了《拙政园诗集》的艺术特色。首先值得关注是诗意蝉联、酣畅淋漓的组诗写作;其次擅长处理情与景,或景中含情,移情入境,或因景起情,或因情入景;最后是《拙政园诗集》前后有别的诗歌风格:早期诗风以清新华丽、自然直白见长,后期经历了人生忧患,流离塞外,诗风一变为哀愁悲慨。第四章则着眼于徐灿《拙政园诗集》的整体观照,着重从古代女性的性别视角和情感世界出发,去挖掘《拙政园诗集》的性别意义及社会价值,进而肯定其在女性文学上的独特地位。
[Abstract]:Xu can is a famous poetess and poet in the late Ming and early Qing dynasties, and plays an important role in the history of Chinese female literature. Author of the Book of Poems of the Pastoral Garden and the Poems of the Body-Government Garden. Most scholars have a higher evaluation and in-depth study of Xu can's ci, but the study of Xu Canshi's poems is weak, the research data are only found in the preliminary text of his poems or in the analysis of Xu can's ci. Xu can's anthology of Poems of the Bow Government Garden contains 246 ancient poems. His poems reflect the experience and mood of Xu can's life in different periods, and his poetic talent is very high and remarkable. This paper mainly discusses the trend of female literature creation in the late Ming and early Qing dynasties, the life of Xu can, the content of the subject matter, the artistic characteristics, the gender significance and the social value of the anthology of Poems of the botched political Garden. This paper tries to outline the main features of the anthology of Poems of the botched political Garden, and through the comprehensive analysis of it, makes up for the lack of research on the anthology of Poems in the academic circles at present, so as to make more people realize the value and significance of the anthology. The introduction introduces the basic creation of Xu can's poems, combs the research situation of his poems, explains the significance and purpose of studying Xu can's poetry collection, and briefly generalizes the contents, viewpoints and methods of his works. The first chapter is divided into two sections. The first section summarizes the female literature creation in the late Ming Dynasty and the early Qing Dynasty, and points out that the female group creation in this period has laid the foundation for Xu can's poetry creation. The second section closely links the research achievements of ancient and modern scholars on Xu can's poetry and Xu can's related poems, and makes a comprehensive and meticulous combing of Xu can's life, and divides his life into two stages: "the beginning of sweet history" and "the late disaster of the earth". On the basis of the previous study, the second chapter analyzes the theme of the anthology of Poems of botched political Garden by associating Xu Can's poetry with his life experience. This paper holds that the anthology of Poems of the botched political Garden has the following themes: writing about objects, quasi ancient history, giving farewell, feeling of life, painting, poems of wandering fairies, etc., and makes an aesthetic analysis of each kind of subject matter combined with concrete works. The third chapter discusses the artistic features of the anthology of Poems. First of all, it is worth paying attention to the poetic composition of poetry; secondly, it is good at dealing with the feelings and scenery, or in the scene, empathy into the country, or because of the scene, or because of the situation into the scene; Finally, there are other poetic styles before and after the Book of Poems of the botched political Garden: the early poetic style is fresh and gorgeous, natural and straightforward. The fourth chapter focuses on the overall view of Xu Can's anthology of Poems from the perspective of gender and emotional world of ancient women, to explore the gender significance and social value of the anthology of Poems of botched political Garden. And then affirm its unique position in female literature.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
本文编号：2348016
[Abstract]:Xu can is a famous poetess and poet in the late Ming and early Qing dynasties, and plays an important role in the history of Chinese female literature. Author of the Book of Poems of the Pastoral Garden and the Poems of the Body-Government Garden. Most scholars have a higher evaluation and in-depth study of Xu can's ci, but the study of Xu Canshi's poems is weak, the research data are only found in the preliminary text of his poems or in the analysis of Xu can's ci. Xu can's anthology of Poems of the Bow Government Garden contains 246 ancient poems. His poems reflect the experience and mood of Xu can's life in different periods, and his poetic talent is very high and remarkable. This paper mainly discusses the trend of female literature creation in the late Ming and early Qing dynasties, the life of Xu can, the content of the subject matter, the artistic characteristics, the gender significance and the social value of the anthology of Poems of the botched political Garden. This paper tries to outline the main features of the anthology of Poems of the botched political Garden, and through the comprehensive analysis of it, makes up for the lack of research on the anthology of Poems in the academic circles at present, so as to make more people realize the value and significance of the anthology. The introduction introduces the basic creation of Xu can's poems, combs the research situation of his poems, explains the significance and purpose of studying Xu can's poetry collection, and briefly generalizes the contents, viewpoints and methods of his works. The first chapter is divided into two sections. The first section summarizes the female literature creation in the late Ming Dynasty and the early Qing Dynasty, and points out that the female group creation in this period has laid the foundation for Xu can's poetry creation. The second section closely links the research achievements of ancient and modern scholars on Xu can's poetry and Xu can's related poems, and makes a comprehensive and meticulous combing of Xu can's life, and divides his life into two stages: "the beginning of sweet history" and "the late disaster of the earth". On the basis of the previous study, the second chapter analyzes the theme of the anthology of Poems of botched political Garden by associating Xu Can's poetry with his life experience. This paper holds that the anthology of Poems of the botched political Garden has the following themes: writing about objects, quasi ancient history, giving farewell, feeling of life, painting, poems of wandering fairies, etc., and makes an aesthetic analysis of each kind of subject matter combined with concrete works. The third chapter discusses the artistic features of the anthology of Poems. First of all, it is worth paying attention to the poetic composition of poetry; secondly, it is good at dealing with the feelings and scenery, or in the scene, empathy into the country, or because of the scene, or because of the situation into the scene; Finally, there are other poetic styles before and after the Book of Poems of the botched political Garden: the early poetic style is fresh and gorgeous, natural and straightforward. The fourth chapter focuses on the overall view of Xu Can's anthology of Poems from the perspective of gender and emotional world of ancient women, to explore the gender significance and social value of the anthology of Poems of botched political Garden. And then affirm its unique position in female literature.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
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