李清照词中核心意象的认知语言学研究

发布时间：2024-05-09 00:24

　　意象是诗歌的重要组成成分,因为意象体现了每个诗人独特的审美爱好,生活经历以及精神世界。正如大多数中国学者所说,意象联结了言与意,因为言不能充分达意,而象可以招引,激活和强化意的表达。但是诗歌意象的传统研究很少探究意象与言及意之间互动的认知机制。而认知语言学理论的快速发展为我们的研究提供了分析工具。本研究选取了李清照的四十七首词作为研究语料,采用定性的研究方法,以概念隐喻理论和意象图式理论为理论框架,探究词中的核心意象。首先,人工整理了李清照词中的核心意象,统计每个意象的出现频率,并将其分类,探究其特点和内涵。第二,根据概念隐喻理论识别意象与抽象的概念域之间系统的隐喻投射,并试图解释隐喻背后的经验基础。第三,识别意象系统中普遍的意象图式,并探究其如何组织涉身体验和引发从物理空间向抽象的概念和情感的隐喻投射。我们的研究首先发现,在李清照词中,核心意象可划分为两个范畴,即自然意象和人文意象,其中花意象和酒意象分别是每个范畴中最突出的意象。第二,在自然意象中,花意象集中体现了双向隐喻的存在,主要表现为花与女子之间的双向隐喻映射:(1)植物是人,词人将传统的概念隐喻拓展为三个新的隐喻,即花是女子...

【文章页数】：119 页

【学位级别】：硕士

【文章目录】：
摘要
Abstract
Chapter One Introduction
    1.1 Background of the Study
    1.2 The Purpose and Significance of the Research
    1.3 Organization of the Thesis
Chapter Two Literature Review
    2.1 Cognitive Approaches to Poetry
        2.1.1 Cognitive Approaches to Poetry Abroad
        2.1.2 Cognitive Approaches to Poetry at Home
    2.2 Studies on Images
        2.2.1 Definition of Images
        2.2.2 Cognitive Linguistic Studies on Images
    2.3 Studies on Li's Poems
        2.3.1 Introduction to Li Qingzhao and Her Poems
        2.3.2 Traditional Literary Studies on Li's Poems
        2.3.3 Linguistic Studies on Li's Poems
    2.4 Summary
Chapter Three Theories and Methodologies
    3.1 Conceptual Metaphor Theory
        3.1.1 The Internal Structure of Metaphor
        3.1.2 The Poetic Metaphor
    3.2 Image Schema Theory
    3.3 Research Methodology
        3.3.1 Research Questions
        3.3.2 Data Collection
        3.3.3 Research Design
    3.4 Summary
Chapter Four Core Images in Li's Poems
    4.1 Frequencies of Core Images in Li's Poems
    4.2 Descriptions of Core Images in Li's Poems
        4.2.1 Non-metaphorical Images
        4.2.2 Metaphorical Images
            4.2.2.1 Cliche Metaphorical Images
            4.2.2.2 Novel Metaphorical Images
    4.3 Summary
Chapter Five Image Schema Reflected in Core Images
    5.1 Introduction
    5.2 CONTAINER
    5.3 SCALE
    5.4 CYCLE
    5.5 Other Image Schemata
    5.6 Summary
Chapter Six Conceptual Metaphors Reflected in Core Images
    6.1 Introduction
    6.2 Ontological Metaphor
        6.2.1 FLOWERS ARE FEMALES
            6.2.1.1 Mappings of Properties
            6.2.1.2 Mappings of Emotions
        6.2.2 FEMALES ARE FLOWERS
        6.2.3 Bidirectional Mappings Between Flowers and Females
    6.3 Orientational Metaphor
    6.4 Structural Metaphor
    6.5 Summary
Chapter Seven Conclusion
    7.1 Major Findings
    7.2 Limitations of the Research
    7.3 Implications for the Literary Analysis
Bibliography
Appendix The Chinese and English Version of the Cited Poems
Acknowledgements



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