新时期文化思潮中的“启蒙”、“国学”与“新国学”
发布时间：2018-08-26 15:49
【摘要】：陈国恩认为,中国20世纪80年代提倡的"纯文学",是在反对政治干涉文学的背景中提出的;90年代以后,纯文学逐渐失去了原来的批判对象而成为作家疏远民众生活的借口。何锡章等认为,"先锋文学"是通过隐性的语言革命来进行新叙事话语的实践,它的对文学史的贡献主要缘于它这一"语言反抗"的起点。李怡等认为,改革开放以来,中国社会文化围绕"启蒙"理想发生了一系列变化,从"启蒙"到反启蒙背景上"国学"的提出再到"新国学",深刻反映了中国知识分子的精神嬗变。贺芒认为,产生于改革开放之初的"打工文学"近来引起了文坛的广泛关注;对作家底层身份的强调,使打工文学产生了很大的社会效应,但其艺术上的异质性元素则始终未获得承认。袁联波认为,建立成熟而富于民族意味的"写意戏剧"是一百年来中国戏剧家们的梦想,这一观念折射出的是中国戏剧界企图借助其来更新戏剧观念、开阔戏剧视野的文化策略。
[Abstract]:Chen Guoen holds that the "pure literature" advocated by China in the 1980s was put forward against the background of political interference in literature; after the 1990s, pure literature gradually lost its original object of criticism and became an excuse for writers to alienate people's lives. Li Yi and others believe that since the reform and opening up, a series of changes have taken place in Chinese social culture around the ideal of "enlightenment", from the "enlightenment" to the anti-enlightenment background of "Chinese Studies" to the "New Chinese Studies", which reflects the spiritual evolution of Chinese intellectuals. He Mang holds that the "work-for-work literature" originated at the beginning of reform and opening-up has recently attracted wide attention in the literary world; the emphasis on the writer's underclass status has produced a great social effect on the work-for-work literature, but its artistic heterogeneity has never been recognized. Yuan Lianbo believes that the establishment of a mature and nationally rich "free-hand drama" is The dream of Chinese dramatists over the past 100 years reflects the cultural strategy of the Chinese theatrical circles to renew their theatrical concepts and broaden their horizons.
【作者单位】： 北京师范大学文学院;北京师范大学出版社;
【基金】：国家社科基金项目“中国现代文学批评概念与中外文化交流”(批准号:08BZW052) 高等学校全国优秀博士学位论文作者专项资金项目“中国现代文学的新传统研究”(编号:200512)的阶段性成果
【分类号】：I206.7
[Abstract]:Chen Guoen holds that the "pure literature" advocated by China in the 1980s was put forward against the background of political interference in literature; after the 1990s, pure literature gradually lost its original object of criticism and became an excuse for writers to alienate people's lives. Li Yi and others believe that since the reform and opening up, a series of changes have taken place in Chinese social culture around the ideal of "enlightenment", from the "enlightenment" to the anti-enlightenment background of "Chinese Studies" to the "New Chinese Studies", which reflects the spiritual evolution of Chinese intellectuals. He Mang holds that the "work-for-work literature" originated at the beginning of reform and opening-up has recently attracted wide attention in the literary world; the emphasis on the writer's underclass status has produced a great social effect on the work-for-work literature, but its artistic heterogeneity has never been recognized. Yuan Lianbo believes that the establishment of a mature and nationally rich "free-hand drama" is The dream of Chinese dramatists over the past 100 years reflects the cultural strategy of the Chinese theatrical circles to renew their theatrical concepts and broaden their horizons.
【作者单位】： 北京师范大学文学院;北京师范大学出版社;
【基金】：国家社科基金项目“中国现代文学批评概念与中外文化交流”(批准号:08BZW052) 高等学校全国优秀博士学位论文作者专项资金项目“中国现代文学的新传统研究”(编号:200512)的阶段性成果
【分类号】：I206.7
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