屏风与边界——试论唐墓壁画的媒材与表现形式

发布时间：2018-01-13 20:06

  本文关键词：屏风与边界——试论唐墓壁画的媒材与表现形式　出处：《美术观察》2013年05期 　论文类型：期刊论文

  更多相关文章： 屏风 边界 试论 唐墓壁 画的 媒材 表现形式

【摘要】：正唐代墓室壁画与寺观壁画、宅邸壁画都是绘制在墙壁上的,而墙壁的形制大多是方形的,这与唐代盛行的屏风和屏风绘画关联密切。唐代墓室壁画中频繁出现画屏,而唐墓壁画特有的影作木结构将墙壁分割成既分段又连续的画面。一、画屏根据文献和考古发掘,屏风的起源应该在秦代以前。据《礼记》中记载,周天子正
[Abstract]:Tomb murals and temple murals of the Tang Dynasty, residence murals are painted on the walls, and the shape of the walls are mostly square. This is closely related to the popular screen and screen painting in the Tang Dynasty. In the tomb murals of the Tang Dynasty, the painting screen is frequently seen, while the unique wooden structure of the tomb murals in the Tang Dynasty divides the walls into segmented and continuous pictures. According to the literature and archaeological excavations, the origin of the screen should have been before the Qin dynasty. According to the Book of Rites, Zhou Tianzi is Zheng.
【分类号】：K879.41;J218.6
【正文快照】： 唐代墓室壁画与寺观壁画、宅邸壁画都是绘制在墙壁上的，，而墙壁的形制大多是方形的，这与唐代盛行的屏风和屏风绘画关联密切唐代墓室壁画中频繁出现画屏，而唐墓壁画特有的影作木结构将墙壁分割成既分段又连续的画面。一、画屏根据文献和考古发掘，屏风的起源应该在秦代以前

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