现代陶艺造型形态语义研究

发布时间：2018-01-20 05:36

本文关键词： 形态语义造型现代陶艺　出处：《景德镇陶瓷学院》2012年硕士论文　论文类型：学位论文

【摘要】：现代陶艺起源于上个世纪50年代的美国,随后在世界各地蔓延开来,它诞生和发展于现代艺术运动、思潮风起云涌的环境之中,呈现出风格多样,形式变化多端的面貌,因此给人们对现代陶艺的审美认知造成了一定的障碍。本课题从艺术学、美学的角度对现代陶艺的造型形态语义进行剖析。作为现代陶艺最重要的视觉要素之一的造型形态,它携带着丰富的信息,这就是现代陶艺的造型形态语义。现代陶艺造型形态语义在本质上是一系列的文化符号,通过这些文化符号,我们可以看到陶艺家所处的时代和地域的现代文化背景以及陶艺家创作现代陶艺作品时的情感和观念。当然,现代陶艺的造型形态也是由陶艺家所处的时代和地域的现代社会文化及陶艺家的情感观念所决定。本课题从现代陶艺造型形态语义的形成和解读两个大的方面来具体分析现代陶艺造型形态语义。现代陶艺造型形态语义的形成主要受到现代社会文化、陶艺家和现代艺术运动思潮这三个方面的影响。由于文化是个非常广泛的概念,本课题在阐述现代社会文化对现代陶艺造型形态语义的影响时,分别从哲学、宗教、道德和科学技术四个文化子系统入手。现代陶艺造型形态语义的解读,从美学的角度,就具体到再现和表现两个方面。由于具象造型形态与抽象造型形态的再现性和表现性的差异,本课题从具象和抽象两个方面对现代陶艺造型形态语义进行解读。除此之外,对现代陶艺造型形态语义的解读,本课题还提出现代陶艺造型形态语义的审美再创造观点。
[Abstract]:Modern pottery originated in the United States in -50s, then spread all over the world, it was born and developed in the modern art movement, the trend of thought in the environment, showing a variety of styles. Because of the variety of forms, the aesthetic cognition of modern ceramic art has caused some obstacles. As one of the most important visual elements of modern ceramic art, it carries rich information. This is the form semantics of modern ceramic art, which is essentially a series of cultural symbols. We can see the modern cultural background of the era and the region where the pottery artists live and the feelings and ideas of the pottery artists when they create the modern pottery works. The styling form of modern ceramic art is also determined by the modern social culture of the era and region and the sentimental concept of the pottery artist. This topic from the formation and interpretation of the formation and interpretation of modern ceramic modeling form semantic to analyze the formation of modern ceramic modeling form semantics, the formation of modern ceramic modeling form semantic is mainly by modern social culture. Because culture is a very broad concept, this subject expounds the influence of modern social culture on the semantics of modern ceramic art modeling form, respectively from philosophy. Starting with the four cultural subsystems of religion, morality and science and technology, the interpretation of the semantics of modern ceramic art modeling form, from the perspective of aesthetics. Because of the difference between the reappearance and the expressiveness of the figurative modeling form and the abstract modeling form. This topic from the concrete and abstract aspects of modern ceramic modeling form semantic interpretation. In addition, the interpretation of modern ceramic modeling form semantics. This subject also puts forward the aesthetic re-creation view of the semantic form of modern ceramic art modeling.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

【共引文献】