当代陶艺在公共空间中的形态构成及应用

发布时间：2018-07-08 12:59

本文选题：公共空间 + 景观陶艺　；参考：《山西大学》2012年硕士论文

【摘要】：陶艺作为人类比较早的实用艺术承载了深厚的文化底蕴,汇集了祖先们的优良品质和智慧,它以自身天然质朴的特性备受大众喜爱。城市化的环境带来的麻木或困惑让人们无法亲近也感觉不到温暖。而现代景观陶艺的产生打破了传统实用性为主的功能,开始以它独特的审美来装饰和点缀环境。对于现当代陶艺介入公共空间来讲,它并非是简单的介入空间构成空间中的一种环境,而是作为一种新的姿态进入环境、构成环境、装饰环境。它的设计理念应当是追求人与自然的和谐统一,注重文化性、情感性、独特性以及回归自然的强烈感受。目前在中国大部分城市中,景观陶艺的探索和研究的例子还很少,需要我们不断地去试验和探索。随着大众审美意识的提高,把陶艺创作运用到景观设计中具有很重要的意义。他运用到公共空间中不仅能够美化空间,而且还能赋予其深厚的文化底蕴。因此无论从审美的角度还是文化的角度出发对于公共空间中陶艺介入的分析和研究都非常的重要。该论文的研究是根据自己的实践创作,结合自己掌握的现有知识的基础上展开论述的。论文以当代陶艺和公共空间的关系为线索,对公共空间中陶艺的形态构成以及它在公共空间的实际应用做了细致全面的分析研究,并且对其在空间中呈现的美学特性做了详细分析。最后对中国未来景观陶艺的前景做了分析研究。整篇论文采用实践与理论相结合的研究方法,并且对现有研究做了借鉴和拓展,总体上较全面详细。
[Abstract]:Ceramic art, as an early practical art of human beings, bears profound cultural background and gathers the good qualities and wisdom of ancestors. It is popular with the masses for its natural simplicity. The numbness or confusion of an urbanized environment makes people unapproachable and unable to feel warm. The emergence of modern landscape pottery broke the traditional function of practicability and began to decorate and embellish the environment with its unique aesthetic. For modern and contemporary ceramic art to intervene in public space, it is not a simple intervention space to constitute a space environment, but as a new attitude into the environment, constitute the environment, decorative environment. Its design idea should be to pursue the harmony and unity between man and nature, pay attention to culture, emotion, uniqueness and strong feeling of returning to nature. At present, in most cities in China, there are few examples of landscape ceramics exploration and research, which requires us to continue to experiment and explore. With the improvement of popular aesthetic consciousness, it is of great significance to apply ceramic art to landscape design. His application to public space not only beautifies space, but also endows it with profound cultural background. Therefore, it is very important for the analysis and research of ceramic art intervention in public space from the point of view of aesthetics and culture. The research of this paper is based on his own practice and existing knowledge. Based on the relationship between contemporary ceramic art and public space, the paper makes a detailed and comprehensive analysis and research on the formation of ceramic art in public space and its practical application in public space. And it presents in the space of aesthetic characteristics of a detailed analysis. Finally, the prospect of future landscape ceramic art in China is analyzed and studied. The whole paper adopts the research method of combining practice and theory, and makes reference and development to the existing research, which is more comprehensive and detailed.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

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