论手捏戏文的服饰色彩特征与审美观

发布时间：2019-03-04 10:57

【摘要】：惠山彩塑是中国民间艺苑中一种地域特色显著、风格手法独特、乡土气息浓郁的传统民间工艺品。手捏戏文是惠山彩塑的一大类，内容多以戏曲人物为主，因此而得名。其风格写实中不失夸张、细腻中常见率性，被公认为“惠山彩塑中最精华的部分”。手捏戏文服饰色彩是民间服饰色彩的可靠记录者，反映了民间文化的时代性和地域性影响下的独具特色的审美观。首先，分别对三个不同时间段——清末、近代、现代的手捏戏文服饰色彩进行统计整理，总结分析了各个时期内手捏戏文服饰色彩的表现特征,研究发现其经历了一个由相对单一素雅到多姿多彩百花齐放的发展过程。本文进而归结出了造成不同时代色彩差异的原因。其次，从色彩元素、色彩结构、色彩功能三个方面深入剖析了手捏戏文服饰色彩的符号化特征。在民俗文化共识的背景下，，色彩元素与特定涵义的固定关联，构成了色彩元素的符号化特征。色彩元素之间的有机结构关系，使其作为媒介关联物的符号化涵义得到进一步的引申。在此基础上，手捏戏文服饰色彩通过色彩符号的内涵实现了它的重要功能。最后，手捏戏文的服饰色彩审美观在其流变历史中既有经承的一面又有权变的一面。本文将其概括为“经”与“权”，并从这两方面分别加以论述。“经”是引导并推动手捏戏文服饰色彩审美观发展的主导，而“权”是体现其本质一面的主流。审美观本身又是由社会化审美观和个性化审美观组成的二级系统。一件手捏戏文作品普遍整合着两个不同的语义层面，是历史的符号形式与现实的符号形式的统一。通过本次研究，将进一步明晰不同历史时期手捏戏文服饰的色彩特征，更加深入地把握其发展规律及审美形态特征。对于我们挖掘和弘扬传统服饰色彩文化有着积极意义，亦有利于我们在现代色彩设计中继承和吸收传统用色精华，指导今天的色彩创新。
[Abstract]:Huishan color sculpture is a kind of traditional folk arts and crafts with distinctive regional characteristics, unique style and technique, rich local flavor in Chinese folk art garden. Hand-pinching opera is a large class of Huishan color sculpture, the content is mainly opera characters, and hence the name. Its style of realism without loss of exaggeration, delicate in the common, is recognized as "Huishan color sculpture in the most elite part of the part." Hand-pinching costume color is a reliable recorder of folk dress color, which reflects the unique aesthetics under the influence of the times and regions of folk culture. First of all, three different periods of time-the late Qing Dynasty, modern times, modern hand-pinch drama clothing color statistical collation, summarized and analyzed the performance characteristics of each period of hand-pinch drama clothing color, in the end of the Qing Dynasty, modern times, the performance characteristics of the costume color of hand-pinched opera text, The study found that it experienced a development process from relatively simple and elegant to colorful blooming. This paper further summed up the causes of color differences in different times. Secondly, from the three aspects of color elements, color structure and color function, this paper deeply analyzes the symbolic characteristics of costume color. Under the background of common understanding of folk culture, the fixed association between color elements and specific meanings constitutes the symbolic characteristics of color elements. The symbolic meaning of color elements as media associations is further extended because of the organic structure relationship between color elements. On this basis, hand-pinching costume color through the connotation of color symbols to achieve its important function. Finally, the aesthetic sense of dress color in its changing history has both the inheriting side and the right side. In this paper, they are summarized as Sutra and right, and discussed from these two aspects. "Jing" is the leading direction to guide and promote the development of the aesthetic sense of color of costume, and "power" is the mainstream which embodies its essential side. Aesthetics itself is a two-level system composed of social aesthetics and individual aesthetics. There are two different semantic levels in a hand-held play, which is the unity of the symbol form of history and the symbol form of reality. Through this study, it will further clarify the color characteristics of the costumes in different historical periods, and further grasp its development law and aesthetic features. It is of positive significance for us to excavate and carry forward the color culture of traditional dress, and it is also helpful for us to inherit and absorb the essence of traditional color in modern color design, and to guide today's color innovation.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J523.5

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