波希米亚服装风格研究

发布时间：2018-06-04 19:03

本文选题：波希米亚 + 波希米亚服装　；参考：《湖南工业大学》2017年硕士论文

【摘要】：服装是人类特有的劳动成果,它既是物质文明的结晶,又具有精神文明的含义,是社会政治、经济、文化、意识形态等方面综合作用的结果。当下,世界各地城市不断增生波希米亚文化,以倡导自由的艺术方式和生活方式愈来愈得到现代人的推崇。这也兴起了以自由、叛逆、浪漫、追求自我等为特点的服装领域的“波希米亚风格”时尚。“波希米亚”风格民族风频频成为当下服装设计师的灵感来源,因其背后的“波希米亚”文化内涵迎合了青年人特立独行、强调自我、展示个性的共同追求和心理需求,为波希米亚服装风格成为时代风潮奠定了基础条件。纵观前人的研究,得出波希米亚服装风格实际由三大板块构成:民族风、亚文化风格、消费主义风格。可以看到,波希米亚民族风的美学特色主要体现为民族风情、浪漫色彩、质朴与优雅这三方面。民族风的美学特色为波希米亚服装风格的研究打下了坚实的基础,也为波希米亚亚文化和波希米亚消费主义的研究奠定了基石。随着20世纪60年代反文化运动的兴盛,波希米亚服装进入亚文化风格发展阶段,亚文化风格的构成主要包括拼贴、同构和表意实践。通过波希米亚亚文化服装款式、面料、色彩、配饰这几方面来了解亚文化的变奏,而亚文化在波希米亚服装设计中的价值则包含了时尚魅力、前卫设计以及叛逆气质。到20世纪后半期消费主义时代,波希米亚服装逐渐从“草根”变为时尚,亚文化风格的“亚健康含义”逐渐消失,日益成为“适合大众消费的物品”,抵抗性变成了消费性,而这些变化意味着波希米亚服装又从反叛风格变化为消费风格。消费风格的波希米亚服装设计体现在现代人的审美简约性、观念个性化以及物化需求这三个方面。最后波希米亚文化历史和波希米亚服装设计风格所蕴含的设计理念,在借鉴国内外优秀的波希米亚风格作品的基础上,设计出两套波希米亚消费风格的服装作品,希望去实践一种追求自由、热情奔放的服装设计理念。总之,波希米亚服装文化有着丰富厚重的历史发展历程。今天世界多元文化的交融与发展,使波希米亚风格更加趋向于多样多元。波希米亚将和世界的各民族文化融合,演绎更精彩的明天。
[Abstract]:Clothing is the special labor achievement of human being. It is not only the crystallization of material civilization, but also the meaning of spiritual civilization. It is the result of social politics, economy, culture, ideology and so on. Nowadays, cities all over the world are increasingly popular with Bohemian culture to advocate free art and life style. This is also the rise of freedom, rebellious, romantic, self-pursuit and other characteristics of the field of clothing "Bohemian style" fashion. "Bohemia" style and ethos have frequently become the inspiration source of current fashion designers, because the cultural connotation of "Bohemia" caters to young people's maverick, emphasizes themselves, shows the common pursuit and psychological needs of individuality. Bohemian clothing style became the trend of the times laid the foundation. From previous studies, it is concluded that Bohemian clothing style is actually composed of three parts: ethos, subculture style and consumerism style. It can be seen that the aesthetic features of Bohemian ethos are mainly national amorous feelings, romantic colors, simplicity and elegance. The aesthetic characteristics of ethos lay a solid foundation for the study of Bohemian clothing style, and also lay the foundation for the study of Bohemian culture and Bohemian consumerism. With the prosperity of the counter-culture movement in the 1960s, Bohemian clothing entered the development stage of sub-cultural style. The composition of sub-cultural style mainly includes collage, isomorphism and ideographic practice. Through Bohemia cultural clothing style, fabric, color, accessories to understand the variation of sub-culture, and the value of sub-culture in Bohemian clothing design includes fashion charm, avant-garde design and rebellious temperament. In the latter half of the 20th century, Bohemian clothing gradually changed from "grass roots" to fashion, the "sub-health meaning" of sub-cultural style gradually disappeared, gradually became "suitable for mass consumption", and resistance became consumptive. These changes mean that Bohemian clothing has changed from a rebellious style to a consumer style. The Bohemian fashion design of consumption style is embodied in three aspects of modern aesthetic simplicity, individuation of concept and materialization demand. Finally, Bohemian culture and history and Bohemian fashion design style contained in the design concept, on the basis of drawing lessons from domestic and foreign excellent Bohemian style works, designed two sets of Bohemian consumption style clothing works, Hope to practice a free, passionate fashion design concept. In short, Bohemian clothing culture has a rich history of development. The blending and development of world multiculturalism today make Bohemian style more diverse and pluralistic. Bohemia will be merged with the cultures of all nationalities in the world, performing a more brilliant tomorrow.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS941.2

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