唐代金银器造型艺术研究

发布时间：2018-06-07 11:05

本文选题：唐代金银器 + 造型艺术　；参考：《中国地质大学(北京)》2015年硕士论文

【摘要】：金银器在历史文物中占有重要位置,是中国传统文化艺术的重要载体。唐代是金银器发展的繁盛时期,现在已发现的唐代金银器多以考古出土为主,并且已多达上千件,传世的在国内甚少。造型作为艺术创作的直观要素直接决定了作品的美观性和实用性。本文按照唐代金银器主要造型语言的特征,将其分为两大类:一类是以几何形态为主要造型语言的金银器,包括规则形态的球形、圆形、方形等和不规则形态的云头形等。另一类是以自然仿生形态为主要造型语言的金银器,包括植物(海棠、菱花、葵花、莲花、桃形等)、动物(乌龟、羊、龙、摩羯等)。唐代金银器造型的演变主要分为早、中、晚三个时期,通过整理归纳,以表格的形式将其造型归纳总结。在文中的经典造型艺术案例部分,进一步阐述唐代金银器造型艺术特征,分析其时代特色,挖掘其艺术内涵。唐代金银器造型丰富多变,与当时的政治、经济、文化等密切相关,盛行的原因主要有两大方面:本土文明与外来文化。在中国传统文化的基础上汲取外来文化的菁华,因时制宜地推陈出新。经济的迅速发展膨胀了上层社会奢靡享乐、长生不老的欲望,工艺水平的提高满足了人们的审美需求,文化的交融、政治的交流推动了金银器制作的不断成熟;粟特、萨珊、罗马-拜占庭等地方的金银器的输入为本土金银器的发展注入了新鲜的血液,尤其是在造型方面。在这样一个开放融合的时代大背景下,唐代金银器的发展,经历了从模仿到创新,从附属到独立,从专用到普及的历程。造型艺术作为唐代金银器的主要制作元素之一,它真实地展现出唐代工艺美术的发达,反映出唐代生活的富足,文化的繁荣,体现出唐代的开放性与创造性,更折射出唐人思想观念的改变以及丰富的想象力和创造力。研究唐代金银器造型艺术包含的历史,探索其美的历程,寻找其美的根源,期望对现代金银首饰设计有所启迪。
[Abstract]:The gold and silver ware occupies an important position in the historical relics and is an important carrier of Chinese traditional culture and art. The Tang Dynasty was a prosperous period for the development of gold and silver objects. Most of the gold and silver objects in the Tang Dynasty were mainly unearthed by archaeology now, and as many as thousands of them were handed down in China. As an intuitive element of artistic creation, modeling directly determines the aesthetics and practicability of the works. According to the characteristics of the main modeling languages of the Tang Dynasty, gold and silver objects are divided into two categories: one is the gold and silver vessels with geometric shape as the main modeling language, including the regular shape of the sphere, the circle, the square, the irregular shape of the cloud head and so on. The other is the natural bionic form as the main modeling language of gold and silver vessels, including plants (begonia, diamond, sunflower, lotus, peach, etc.), animals (tortoise, sheep, dragon, Capricorn and so on). The evolution of gold and silver objects in Tang Dynasty is divided into three periods: early, middle and late. In the part of classic plastic arts case, the author further expounds the characteristics of gold and silver vessels in Tang Dynasty, analyzes the characteristics of their times, and excavates their artistic connotations. Gold and silver objects in Tang Dynasty were rich and changeable, which were closely related to politics, economy and culture at that time. There were two main reasons for their popularity: native civilization and foreign culture. Absorb the elite of foreign culture on the basis of Chinese traditional culture, and bring forth the new according to the times. With the rapid development of economy, the upper-class society's extravagance and enjoyment, the desire to live forever, the improvement of craftwork to meet people's aesthetic needs, the blending of culture, and the exchange of politics have promoted the continuous maturation of the making of gold and silver wares; Sushan, Sushan, The introduction of gold and silver objects in places such as Rome-Byzantium has injected fresh blood into the development of native gold and silver objects, especially in modelling. Under the background of such an open and integrated era, the development of gold and silver wares in Tang Dynasty has experienced the course from imitation to innovation, from attachment to independence, from special use to popularization. As one of the main production elements of gold and silver wares in the Tang Dynasty, plastic arts and crafts show the development of the arts and crafts of the Tang Dynasty, reflect the prosperity of life, the prosperity of culture, and the openness and creativity of the Tang Dynasty. It also reflects the change of the Tang people's ideas and their rich imagination and creativity. This paper studies the history of the styling art of gold and silver wares in the Tang Dynasty, explores the course of its beauty, and looks for the root of its beauty, hoping to enlighten the design of modern gold and silver jewelry.
【学位授予单位】：中国地质大学(北京)
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J526.1

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