中原地区汉代墓室壁画服饰解读

发布时间：2019-07-09 18:09

【摘要】：中原地区是华夏文明的发源地,在中国历史上一直处于文化主导地位,在历史上长期处于各个朝代的政治、经济、文化中心,对周边地区起着影响和带动的辐射作用,在中原地区保留有大量的文明古迹,汉墓壁画就是其中之一。这是有历史原因的,在汉代,汉高祖曾定都洛阳五个月后迁都长安,到了东汉时期汉光武帝定都洛阳,洛阳的汉代墓室壁画见证了一个朝代的兴衰。时至今日,由于汉代距今时间较远,并没有留下许多可供研究当时历史的物料考证,汉代墓室壁画的出现填补了这一历史时期的空白,为研究汉代文化有极大的帮助。汉墓壁画中有许多反映墓主人生前入朝为官的仕途生活,也有反映宴饮歌舞、车骑出行、仕宦经历、庄园生产等的题材,其中人物形象在历代墓室壁画中首屈一指,这为我研究汉代服饰提供了主要的资料参考。汉代是汉族的成型期,汉族服饰系统在此完善,从三皇五帝其中经历夏商周三代,到秦时虽然有做出一些服饰制度的规定,但并没有形成文字流传下来,到了汉代对服质服色都做明文规定,至此各朝各代在汉代服饰的基础上不断有所继承和创新,汉族人的穿衣习惯在这段时期作为民族的特性留下了很深的烙印,虽然后来随着外族入侵,汉族人的服饰渐渐退出了服饰史的舞台,但汉族人对服装的审美和在服装上寄寓的文化观念,却作为中国传统文化保留了下来。我们要了解和研究汉代社会的发展情况、社会等级制度、风俗习惯等,以服饰作为研究对象用于我们理解汉代人们所处的时代背景下的心理状态,和了解处在等级制度塔尖的统治阶级的意识行为有很大帮助。所以本篇论文将以中原地区的汉代墓室人物壁画作为主要参考资料,在前人对汉墓壁画分区的基础上,将中原地区的汉墓壁画资料整理出来,对中原地区汉代墓室壁画中的服饰做出深入研究,得出汉代中原地区的穿衣特征。
文内图片：

图片说明：汉代疆域图
[Abstract]:The Central Plains region is the birthplace of Chinese civilization, which has always been in a dominant cultural position in Chinese history. In history, it has been in the political, economic and cultural center of various dynasties for a long time, which has played an important role in influencing and driving the surrounding areas. There are a large number of civilized monuments in the Central Plains. Han Tomb frescoes are one of them. There are historical reasons. In the Han Dynasty, the Han Gaozu moved to Changan, the capital of Luoyang five months later, to Luoyang, the capital of Emperor Wudi of the Han Dynasty in the Eastern Han Dynasty. The tomb frescoes of Luoyang witnessed the rise and fall of a dynasty. Up to now, because the Han Dynasty is far away from now, and there are not many materials left to study the history at that time, the appearance of the tomb frescoes of the Han Dynasty fills in the blank of this historical period and is of great help to the study of the culture of the Han Dynasty. Many of the Han tomb murals reflect the official life of the tomb owners before their death, and also reflect the themes of banquets, songs and dances, riding trips, official experiences, manor production and so on. Among them, the characters are second to none in the tomb murals of the past dynasties, which provides me with the main reference for the study of Han Dynasty clothing. The Han Dynasty was the formative period of the Han nationality, and the Han dress system was perfected here. From the three emperors and five emperors who experienced the Xia, Shang and Zhou dynasties, to the Qin Dynasty, although there were some provisions on the clothing system, they did not form the text, and made clear regulations on the quality and color of clothing in the Han Dynasty, so that each generation of the Han Dynasty continued to inherit and innovate on the basis of the clothing of the Han Dynasty. The dress habit of Han nationality left a deep imprint as a national characteristic in this period. Although with the invasion of foreigners, the clothing of Han people gradually withdrew from the stage of clothing history, but the Han people's aesthetic appreciation of clothing and the cultural concept embodied in clothing were preserved as Chinese traditional culture. We should understand and study the development of Han society, social hierarchy, customs and so on. It is very helpful for us to take clothing as the research object to understand the psychological state of people in Han Dynasty under the background of the times, and to understand the consciousness and behavior of the ruling class at the top of the hierarchy. Therefore, this paper will take the Han Dynasty tomb frescoes in the Central Plains as the main reference materials, on the basis of the previous division of Han Tomb murals, sort out the Han Tomb frescoes in the Central Plains, make a deep study on the clothes in the Han Dynasty Tombs murals in the Central Plains, and obtain the clothing characteristics of the Han Dynasty Central Plains.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.6

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