艺术、美学与文化人类学:回顾与展望

发布时间：2018-04-28 01:24

  本文选题：美学 + 文化人类学　； 参考：《民族艺术》2014年06期

【摘要】：20世纪60年代以来,对艺术和美学的跨文化研究兴趣得以复苏,论著日渐增多,论题涉及艺术家、风格传统、象征主义和艺术的功能。以前相互分离的学科之间互动越来越多,学者们对于美学的比较研究兴趣日浓。对非西方美学的研究表明:每种文化都有审美原则,艺术哲学因不同的社会而有很大差异,艺术在每个社会中都表达了重要的意义。20世纪90年代,关于非西方艺术和美学体系的文献增加了,此时的研究受到后现代运动影响,更多地关注这一学科本身及其理论框架。另一方面,市场艺术的数量继续激增,就世界艺术研究而言,不应忽视对市场艺术的研究。艺术正以不同以往的速度不断发生变化,描述和理解全世界正在出现的众多艺术和艺术理论,成为摆在面前的一个巨大而兴奋的挑战。
[Abstract]:Since the 1960s, the cross-cultural interest in art and aesthetics has been revived, with the increasing number of works on artists, style and tradition, symbolism and the function of art. There has been more and more interaction between the previously separated disciplines, and scholars are increasingly interested in the comparative study of aesthetics. The research on non-western aesthetics shows that every culture has aesthetic principle, art philosophy varies greatly with different societies, and art expresses important significance in every society in 1990s. The literature on non-western art and aesthetic systems has increased, and the research is influenced by the postmodern movement, paying more attention to the discipline itself and its theoretical framework. On the other hand, the number of market art continues to surge, and the study of market art should not be ignored as far as the study of world art is concerned. Art is changing at a different speed than ever before. Describing and understanding many art and art theories that are emerging all over the world have become a huge and exciting challenge in front of us.
【作者单位】： 美国堪萨斯城市艺术学院人文学院;山东艺术学院;
【分类号】：C912.4
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本文编号：1813170