信仰与美——回族文化的审美人类学研究
发布时间：2018-11-08 09:19
【摘要】： 回族，是中国分布最广、人口较多的一个少数民族。其总人口为981.6805万人(2000年)。 回族经济、文化较发达，其独特的文化是中华文明的重要组成部分。回族文化的核心是伊斯兰文化，伊斯兰教对回族的形成和发展，对回族民族特性、民族审美心理的形成起着决定性的作用。《信仰与美——回族文化的审美人类学研究》一文力图运用文化人类学、美学的理论与知识，探讨这样一些问题：回族的美学思想及其审美实践活动，曾经怎样参与了整个民族的形成和发展? 曾经怎样潜移默化地作用于回族的心灵和人格的塑造? 怎样丰富了灿烂而独特的回族文化?至今仍有哪些宝贵的、富有活力的美学思想，尚能够帮助回族和其他民族共同去创造新的人类文明和提高人类的生命质量与优存状态? 本文从人类学的视角，研讨了回族伊斯兰文化的美学品格。全文内容分以下几个部分，现摘要如下： 第一章是审美人类学，该章对审美人类学的学科定位、学科可能性、学科发展趋势、资源利用等几方面进行了探讨，力图推动该学科的兴起，使其人文关怀精神得到充分展现。 第二章是宗教信仰中的审美意识表现，，笔者在这一部分里梳理了民族审美意识的形态、特征及走向；探讨了信仰活动领域的审美萌芽及其成熟；论述了回族伊斯兰文化的审美意蕴。试图描述宗教信仰中的审美意识表现，为以下两章伊斯兰文化的人类学审美的研究作下铺垫。 第三章、第四章是回族文化的人类学审美，这两章是整篇论文的中心部分，从《古兰经》审美，清真寺审美，饮食、服饰审美的研讨，到伊斯兰教的智慧之美、宽容之美的阐述，剖析了回族文化的美学品格，并且追述了这些美学因素的人类学渊源。 第五章是回回著名人物与审美人类学。李贽、张承志是笔者选择的最具代表性的回回著名人物，通过对这两位人物的学术思想及其代表作品所体现的人文精神的审美人类学探讨，对回回人的性格、精神之美学根源有了较为具体的认识。 结语是对一些问题的尝试性回答。笔者认为，可以用“真”、“洁”、“忍”来概括回族的美学思想，这些审美心理熔铸在伊斯兰教所浸润的回族衣、食、住、行等方方面面。这些独特的审美形态使回族具有独特的文化形态与生命形态，形成了回族“我看青山多妩媚，料青山看我应如是”的独特情怀。
[Abstract]:Hui is one of the most widely distributed and populous ethnic minorities in China. Its total population is 9.816805 million (2000). The Hui nationality has developed economy and culture, and its unique culture is an important part of Chinese civilization. The core of the Hui culture is Islamic culture. Islam has formed and developed the Hui nationality, and it has a bearing on the national identity of the Hui nationality. The formation of national aesthetic psychology plays a decisive role. How did the Hui people participate in the formation and development of the whole nation? How has it worked imperceptibly to shape the hearts and personalities of the Hui people? How to enrich the brilliant and unique Hui culture? What valuable and energetic aesthetic ideas can help the Hui and other nationalities to create new human civilization and improve the quality of human life and the state of existence? From the perspective of anthropology, this paper discusses the aesthetic character of Islamic culture of Hui nationality. The content of this paper is divided into the following parts: the first chapter is aesthetic anthropology, which defines the subject of aesthetic anthropology, the possibility of the subject, the development trend of the subject. This paper probes into the utilization of resources in order to promote the rise of the subject and to fully display its humanistic care spirit. The second chapter is the expression of aesthetic consciousness in religious belief. In this part, the author combs the form, characteristics and trend of national aesthetic consciousness, discusses the aesthetic germination and maturity in the field of belief activities. This paper discusses the aesthetic implication of Islamic culture of Hui nationality. This paper attempts to describe the expression of aesthetic consciousness in religious belief, paving the way for the anthropological aesthetic research of Islamic culture in the following two chapters. The third and fourth chapters are the anthropological aesthetics of the Hui culture. These two chapters are the central parts of the whole thesis, from the discussion of the aesthetics of the Koran, the aesthetics of mosques, the aesthetics of food and clothing, to the beauty of the wisdom of Islam. Expounding the beauty of tolerance, analyzing the aesthetic character of Hui culture, and tracing the anthropological origin of these aesthetic factors. The fifth chapter is Hui famous characters and aesthetic anthropology. Li Zhi and Zhang Chengzhi are the most representative Huihui famous figures chosen by the author. Through the aesthetic anthropology of the humanistic spirit embodied in these two characters' academic thoughts and their representative works, the author discusses the Hui people's character. The aesthetic root of the spirit has a more specific understanding. The conclusion is a tentative answer to some questions. The author thinks that the aesthetic thoughts of Hui nationality can be summed up by "truth", "purity" and "forbearance", which melt into the Hui nationality clothing, food, housing, transportation and so on. These unique aesthetic forms make the Hui nationality have a unique cultural form and life form, forming the unique feelings of Hui nationality, "I see how charming Qingshan is, and what I should be like in the light of Qingshan".
【学位授予单位】：中央民族大学
【学位级别】：博士
【学位授予年份】：2003
【分类号】：C955
本文编号：2318045
[Abstract]:Hui is one of the most widely distributed and populous ethnic minorities in China. Its total population is 9.816805 million (2000). The Hui nationality has developed economy and culture, and its unique culture is an important part of Chinese civilization. The core of the Hui culture is Islamic culture. Islam has formed and developed the Hui nationality, and it has a bearing on the national identity of the Hui nationality. The formation of national aesthetic psychology plays a decisive role. How did the Hui people participate in the formation and development of the whole nation? How has it worked imperceptibly to shape the hearts and personalities of the Hui people? How to enrich the brilliant and unique Hui culture? What valuable and energetic aesthetic ideas can help the Hui and other nationalities to create new human civilization and improve the quality of human life and the state of existence? From the perspective of anthropology, this paper discusses the aesthetic character of Islamic culture of Hui nationality. The content of this paper is divided into the following parts: the first chapter is aesthetic anthropology, which defines the subject of aesthetic anthropology, the possibility of the subject, the development trend of the subject. This paper probes into the utilization of resources in order to promote the rise of the subject and to fully display its humanistic care spirit. The second chapter is the expression of aesthetic consciousness in religious belief. In this part, the author combs the form, characteristics and trend of national aesthetic consciousness, discusses the aesthetic germination and maturity in the field of belief activities. This paper discusses the aesthetic implication of Islamic culture of Hui nationality. This paper attempts to describe the expression of aesthetic consciousness in religious belief, paving the way for the anthropological aesthetic research of Islamic culture in the following two chapters. The third and fourth chapters are the anthropological aesthetics of the Hui culture. These two chapters are the central parts of the whole thesis, from the discussion of the aesthetics of the Koran, the aesthetics of mosques, the aesthetics of food and clothing, to the beauty of the wisdom of Islam. Expounding the beauty of tolerance, analyzing the aesthetic character of Hui culture, and tracing the anthropological origin of these aesthetic factors. The fifth chapter is Hui famous characters and aesthetic anthropology. Li Zhi and Zhang Chengzhi are the most representative Huihui famous figures chosen by the author. Through the aesthetic anthropology of the humanistic spirit embodied in these two characters' academic thoughts and their representative works, the author discusses the Hui people's character. The aesthetic root of the spirit has a more specific understanding. The conclusion is a tentative answer to some questions. The author thinks that the aesthetic thoughts of Hui nationality can be summed up by "truth", "purity" and "forbearance", which melt into the Hui nationality clothing, food, housing, transportation and so on. These unique aesthetic forms make the Hui nationality have a unique cultural form and life form, forming the unique feelings of Hui nationality, "I see how charming Qingshan is, and what I should be like in the light of Qingshan".
【学位授予单位】：中央民族大学
【学位级别】：博士
【学位授予年份】：2003
【分类号】：C955
【引证文献】
相关博士学位论文 前2条
1 李卫东;宁夏回族建筑研究[D];天津大学;2009年
2 高小岩;游离中沉淀：认同与变迁的都市回族视角[D];中央民族大学;2010年
相关硕士学位论文 前8条
1 唐燕;中国园林和伊斯兰园林的比较与启示[D];福建农林大学;2006年
2 张翔;扬州伊斯兰建筑的文化人类学考察[D];广西大学;2006年
3 王英楣;宁夏泾源回族“踏脚”的考察与研究[D];中央民族大学;2007年
4 李萍;戏剧人类学及其视野下的环县道情皮影戏[D];兰州大学;2007年
5 郭芳;文艺人类学的基本理论和本土实践[D];兰州大学;2007年
6 周宝玲;临夏回族建筑特色[D];重庆大学;2007年
7 张顺尧;甘肃伊斯兰教建筑的演变[D];同济大学;2007年
8 马彩霞;贵德回族服饰的民俗文化研究[D];青海师范大学;2012年
本文编号：2318045
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