哈尼族女性传统服饰及其符号象征
[Abstract]:Based on the field work and the literature, the paper analyzes the cultural symbols of the elements of the dress from the aspects of the dress pattern, the color, the ornament, the decoration pattern and the manufacture and replacement of the dress, based on the field work and the literature. The construction of this symbol system and its significance in the interpretation of national culture are further discussed. the text includes the introduction, The five chapters and the conclusion. The introduction mainly explains the theory The research background, the research status and the research methods of the paper are introduced in the first chapter. The article introduces the general situation of the traditional dress of the Hani women, and studies the cultural information _ or the national belief of the load in the pattern of the dress, taking the three branches of the car, the Aini and the Bioran as an example. The materialization, or the national myth, the legend, or the ancestor's war, the migration, the opening of the mountain. In the second chapter, the author introduces the color of the traditional dress of the Hani women. The symbol of its culture is that it is a protective color for mankind to avoid the entanglement of the ghost and to avoid the pursuit of the evil-doer; and the red is the world of the sky, the God The symbol of the spirit, over the world, and the spirit of the soul on the earth; and the white record the eternal pursuit of the peace by the Hani. In the third chapter, the general situation of the traditional dress of the Hani women is introduced, and the contents of the silver, the fish and the feather are analyzed. The totem concept leaves a deep mark in the peepings of the Hani women. The regional environment includes terraced fields. The pattern of production leaves traces; the long-term aesthetic signs and values of social groups I don't know. I don't know. In the absence of a coacervation. In chapter 4, The traditional dress of the Hani women is introduced. The decorative pattern in, and reveals the cultural meaning contained in it. A belief in the spirit of all things, from one to another. The people's private love to the national history, all have the expression. Among them, the classic
"A Bot " trunk> and" Bunk> "W u ba " trunk> It's also a highlight of the national culture. The fifth chapter introduces the production of the traditional dress of the Hani women. , replace and flow in In the process of the production and replacement of women's dress, it is often used as a common practice. in a manner that is a silent transmission of rich and complex Information. In particular It is the change of the women's life etiquette, and the essence is the Hani tradition. social-to-female The materialization of the standard of the etiquette and etiquette in order to maintain the national social life And the stability of the cultural structure and the marriage system. The conclusions are presented in this paper. The main idea of the text, that is, the Hani women's traditional dress is a very rich The symbolic system of symbolic meaning is of great significance in the interpretation of national culture. The construction of this symbol system and its main characteristics, and then the text of the symbol system The real-current mode of the function of the interpretation and explanation.
【学位授予单位】:中央民族大学
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:C955
【引证文献】
相关期刊论文 前1条
1 谭洋洋;;浅析哈尼族服饰图案对现代服装设计的启示[J];山东纺织经济;2011年03期
相关硕士学位论文 前5条
1 邵靖;云南少数民族包的文化符码研究[D];昆明理工大学;2009年
2 韦夷;服饰之美的符号学研究[D];广西师范大学;2011年
3 李阳;哈尼族服饰纹样视觉语言研究[D];昆明理工大学;2011年
4 谭洋洋;哈尼族服饰图案艺术研究[D];昆明理工大学;2007年
5 朱芳;云南少数民族图形元素在室内陈设品设计中的运用[D];云南艺术学院;2010年
,本文编号:2501099
本文链接:https://www.wllwen.com/minzufengsulunwen/2501099.html