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哈尼族女性传统服饰及其符号象征

发布时间:2019-06-17 15:57
【摘要】:本文以哈尼族女性传统服饰为研究对象,在田野作业和文献资料的基础上,运用符号学的理论知识从服饰款型、色彩、佩饰、装饰图案以及服饰制作与更换五个方面剖析各服饰要素的文化象征,并进一步探讨这一符号系统的建构及在民族文化阐释中的意义。 正文包括绪论、五个章节以及结论。 绪论主要交代了论文的研究背景、研究现状以及研究方法。 第一章,介绍了哈尼族女性传统服饰的款型概况,并以奕车、爱尼、碧约三个支系为例,探析了服饰款型中负载的文化信息——或是民族信仰的物化,或是民族神话、传说的转述,或是先祖战争、迁徙、开山造田艰难历史的遗痕,或是民族生存环境与社会结构的摹形。 第二章,介绍了哈尼族女性传统服饰的色彩概况——崇黑、敬红、尚白,并分析服色观念的产生及衍变,进而论述其文化象征意义——黑是人类避开鬼魂纠缠、躲避恶人追击的保护色;红是天界、神灵的象征,超然于人世又降灵赐福于人间;白则记录了哈尼人对和平的永恒追求。 第三章,介绍了哈尼族女性传统服饰的佩饰概况,集中剖析了意蕴丰富的银饰、鱼饰和羽饰。图腾观念在哈尼族女性的佩饰中留下深深印记;地域环境包括梯田农耕的生产方式在其中留下痕迹;社会群体长期形成的审美标志、价值判断、礼仪规范不知不觉中凝聚其间。 第四章,介绍了哈尼族女性传统服饰中的装饰图案,并揭示了其 中蕴含的文化意义。从开天辟地的神话到万物有灵的信仰,从个人私 情到民族历史,均有表述。其中,经典“阿博”和送葬头饰“吴芭” 更是对民族文化的精彩阐释。 第五章,介绍了哈尼族女性传统服饰的制作、更换以及流动于其 中的象征语言。女性服饰的制作与更换的过程中,往往以约定俗成的 方式,无声地传达着丰富、复杂的信息。尤其是围绕女性人生礼仪的 换装,实质是哈尼族传统社会对女性仪礼规范的物化,以此维持民族 社会生活、文化结构乃至婚姻制度的稳固。 结论阐述了本文的主要见解,即哈尼族女性传统服饰是一个极富 象征意义的符号系统,在民族文化阐释中具有重要意义。主要剖析了 这一符号系统的构建及其主要特点,进而阐述了其文化阐释功能的实 现方式。 本文是对哈尼族女性传统服饰文化的一次整合性研究,有助于对 哈尼族服饰及文化形成整体认识。从文化阐释的角度进行探讨,有助 于认识其服饰符号系统的构成及其独有文化价值。此外,传统文化必 然安与时俱进,本义的研究旨在促进哈尼人对自己文化的认识,进l(lJ 增强民族自信心,最终提高民族文化的自我传习、保护和发展能力。 关键词哈尼族,女性,传统服饰,符号象征,文化阐释
[Abstract]:Based on the field work and the literature, the paper analyzes the cultural symbols of the elements of the dress from the aspects of the dress pattern, the color, the ornament, the decoration pattern and the manufacture and replacement of the dress, based on the field work and the literature. The construction of this symbol system and its significance in the interpretation of national culture are further discussed. the text includes the introduction, The five chapters and the conclusion. The introduction mainly explains the theory The research background, the research status and the research methods of the paper are introduced in the first chapter. The article introduces the general situation of the traditional dress of the Hani women, and studies the cultural information _ or the national belief of the load in the pattern of the dress, taking the three branches of the car, the Aini and the Bioran as an example. The materialization, or the national myth, the legend, or the ancestor's war, the migration, the opening of the mountain. In the second chapter, the author introduces the color of the traditional dress of the Hani women. The symbol of its culture is that it is a protective color for mankind to avoid the entanglement of the ghost and to avoid the pursuit of the evil-doer; and the red is the world of the sky, the God The symbol of the spirit, over the world, and the spirit of the soul on the earth; and the white record the eternal pursuit of the peace by the Hani. In the third chapter, the general situation of the traditional dress of the Hani women is introduced, and the contents of the silver, the fish and the feather are analyzed. The totem concept leaves a deep mark in the peepings of the Hani women. The regional environment includes terraced fields. The pattern of production leaves traces; the long-term aesthetic signs and values of social groups I don't know. I don't know. In the absence of a coacervation. In chapter 4, The traditional dress of the Hani women is introduced. The decorative pattern in, and reveals the cultural meaning contained in it. A belief in the spirit of all things, from one to another. The people's private love to the national history, all have the expression. Among them, the classic

"A Bot " and" Bunk> "W u ba " It's also a highlight of the national culture. The fifth chapter introduces the production of the traditional dress of the Hani women. , replace and flow in In the process of the production and replacement of women's dress, it is often used as a common practice. in a manner that is a silent transmission of rich and complex Information. In particular It is the change of the women's life etiquette, and the essence is the Hani tradition. social-to-female The materialization of the standard of the etiquette and etiquette in order to maintain the national social life And the stability of the cultural structure and the marriage system. The conclusions are presented in this paper. The main idea of the text, that is, the Hani women's traditional dress is a very rich The symbolic system of symbolic meaning is of great significance in the interpretation of national culture. The construction of this symbol system and its main characteristics, and then the text of the symbol system The real-current mode of the function of the interpretation and explanation.
【学位授予单位】:中央民族大学
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:C955

【引证文献】

相关期刊论文 前1条

1 谭洋洋;;浅析哈尼族服饰图案对现代服装设计的启示[J];山东纺织经济;2011年03期

相关硕士学位论文 前5条

1 邵靖;云南少数民族包的文化符码研究[D];昆明理工大学;2009年

2 韦夷;服饰之美的符号学研究[D];广西师范大学;2011年

3 李阳;哈尼族服饰纹样视觉语言研究[D];昆明理工大学;2011年

4 谭洋洋;哈尼族服饰图案艺术研究[D];昆明理工大学;2007年

5 朱芳;云南少数民族图形元素在室内陈设品设计中的运用[D];云南艺术学院;2010年



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