论安岳石窟艺术菩萨璎珞设计

发布时间：2018-02-26 13:20

本文关键词： 安岳石窟菩萨璎珞造型纹样现代设计　出处：《包装工程》2017年20期 　论文类型：期刊论文

【摘要】：目的安岳石窟之古、多、精、美,是南方石窟艺术鼎盛时期的代表。璎珞作为菩萨重要的装身饰物,提取和运用其造型和纹样具有重要意义。方法在田野调查的基础上,对安岳境内菩萨璎珞的造型及纹样进行系统的归纳整理及分析,进一步与敦煌石窟、龙门石窟、大足石刻的菩萨璎珞对比,最后提炼安岳石窟菩萨璎珞的造型及纹样并运用到首饰设计中,以发挥传统文化的余热。结论由于地域、民俗风情的不同,安岳石窟菩萨璎珞在各时代不断变化,璎珞在不断与中国文化相融合,并融入地方民俗文化。深入挖掘安岳石窟菩萨璎珞的价值,运用到设计中,使传统民族艺术转化为新的设计力量。
[Abstract]:Objective the ancient, numerous, fine and beautiful grottoes of Anyue are the representatives of the art of the southern grottoes in the heyday. As an important bodhisattva decoration, it is of great significance to extract and use the shapes and patterns of the grottoes. Methods on the basis of field investigation, The shapes and patterns of bodhisattva wreaths in Anyue are systematically summarized and analyzed, and further compared with Dunhuang grottoes, Longmen grottoes, Dazu stone carvings and bodhisattva wreaths. Finally, the shapes and patterns of the bodhisattva wreaths in Anyue grottoes are refined and applied to jewelry design in order to give full play to the afterheat of traditional culture. Conclusion because of the difference of region and folklore, the bodhisattva wreaths in Anyue grottoes are constantly changing in different times. In combination with Chinese culture and local folklore culture, she has deeply excavated the value of Bodhisattva wreath in Anyue Grottoes and applied it to the design so as to transform the traditional national art into a new design force.
【作者单位】：重庆大学;
【分类号】：J522;K879.3

【相似文献】