哲蚌寺措钦大殿内转经道壁画制作材料及工艺研究

发布时间：2018-03-20 11:29

本文选题：哲蚌寺　切入点：措钦大殿　出处：《中国藏学》2014年03期 　论文类型：期刊论文

【摘要】：哲蚌寺措钦大殿内转经道上创作于15世纪的壁画画风古朴、灵动活泼,具有很高的艺术和宗教价值。但由于各种环境因素的作用,此处壁画多种病害并存,需对其进行治理。为此我们对壁画的取样进行分析,以了解内转经道壁画的制作材料和工艺信息。由分析结果可知,哲蚌寺措钦大殿内转经道壁画所使用红色颜料为朱砂和铁红、绿色颜料为石绿、蓝色颜料为石青、黄色颜料为雌黄、白色颜料为白垩、黑色颜料为碳黑。内转经道壁画无白粉层,颜料层直接绘制在打磨光滑密实的白色阿嘎土地仗层上,且绘画工艺存在多层敷色和沥粉等技法。
[Abstract]:The frescoes created in 15th century in the Drepung Temple's Thoksin Hall are of ancient style, lively spirit and high artistic and religious value. However, due to various environmental factors, there are many kinds of diseases in the murals. It needs to be treated. For this reason, we analyze the samples of the frescoes in order to understand the materials and process information of the frescoes. From the results of the analysis, we can know, In the Drepung Temple, the Taoist frescoes in the Drepung Temple used red pigments of cinnabar and iron, green pigments of stone green, blue pigments of stone green, yellow pigments of female yellow, and white pigments of chalk. The black pigment is carbon black. There is no white powder layer in the painting. The pigment layer is directly drawn on the smooth and dense white Aga earth layer, and the painting process has many techniques such as coloring and leachate.
【作者单位】：北京科技大学冶金与材料史研究所;中国文化遗产研究院;
【分类号】：K879.41

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