出土汉画所见汉代环境美学的思想构成及其使命

发布时间：2018-04-21 08:33

本文选题：出土汉画 + 环境美学　；参考：《西南民族大学学报(人文社科版)》2017年03期

【摘要】：汉画是汉代画像石、画像砖及其铭文等的合称,是出土汉代文物中的瑰宝,蕴涵着古人的生活方式、环境观念与审美趣味,深刻地反映了他们对于人与自然关系这一环境美学基本问题的理解。汉画显示,具有神性的自然培育生命,肯定和支持人的生存生活,针对破坏自然环境的行为,它会以灾异、殃咎的方式进行警示和报复。他们对环境美的理解可分为三个层次:适宜生活和居住、有利于人实现愿望、让生活在其间的人们产生快乐的情致和幸福感。汉代环境美学的特点主要体现在两个方面:一是在生活中审美,二是审美与功能相统一,把生活环境建成可用可赏的景观工程。这种建基于生活欣赏活动之上的环境审美模式,是对西方现行环境审美模式的重要补充。不仅展示了古代环境美学的理论高度,而且还深刻地触及了当今环境审美的理论困境,对于当今环境美学的思想体系构建而言,具有重要的价值和意义。
[Abstract]:Han painting is a combination of stone, brick and inscriptions in Han Dynasty. It is the treasure of cultural relics unearthed in the Han Dynasty, which contains the life style, environmental concept and aesthetic taste of the ancients. It deeply reflects their understanding of the relationship between man and nature as a basic issue of environmental aesthetics. Han painting shows that the nature with divinity cultivates life, affirms and supports people's existence and life, and warns and retaliates against the behavior of destroying the natural environment. Their understanding of the beauty of the environment can be divided into three levels: suitable for living and living, conducive to the realization of people's wishes, so that people living in it produce happy feelings and happiness. The characteristics of environmental aesthetics in Han Dynasty are mainly reflected in two aspects: one is aesthetics in life, the other is the unity of aesthetics and function. This kind of environmental aesthetic model based on life appreciation is an important supplement to the current western environmental aesthetic model. It not only shows the theoretical height of ancient environmental aesthetics, but also deeply touches the theoretical dilemma of environmental aesthetics, which is of great value and significance to the construction of the ideological system of environmental aesthetics.
【作者单位】：南阳师范学院中文系;
【基金】：国家社会科学基金项目“宗教题材汉画整理与汉代宗教生态研究”(14BZJ003)阶段性成果
【分类号】：B834;K879.4

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