赤峰市敖汉旗羊山辽墓壁画研究

发布时间：2018-04-24 19:13

  本文选题：赤峰市敖汉旗 + 羊山辽墓　； 参考：《中央民族大学》2011年硕士论文

【摘要】：中国历史上的辽王朝是一个善于接受外民族文化并长期与汉族和谐共处的一个王朝。这个民族在与汉族融合的基础上创造了这一时期的各种丰富灿烂的文化。 墓室壁画就像一部静态的影片,能带领我们穿越时间和空间回到久远的历史场景。在辽墓壁画研究领域,专家和学者们分别从考古学、历史学、民族学、艺术学等各学科的视角做了多角度、多方面的研究。而从艺术学和民族交流的角度来对辽墓壁画的个案研究的论文目前较少。有鉴于此,本论文试图在个案研究上进行深入地探索。 本论文在田野调查和相关文献的基础上,从壁画的功能、意义及其反映的民族融合的情况等方面来对羊山墓壁画进行综合的个案研究。本论文主要分为“绪论”、“赤峰市敖汉旗羊山辽墓壁画概况”、“羊山墓壁画的内容与形式”、“墓室壁画的功能及意义”、“从壁画看民族间的交流与融合”五章。论文第一章介绍了本研究的选题缘起与意义、研究目的与方法、概念界定与文献综述。第二章介绍了赤峰市敖汉旗羊山辽墓壁画的墓葬位置、壁画分布及保存状况等情况。第三章主要对墓室壁画进行了图像分析,包括壁画的色彩、线条、构图、技法等因素以及所反映的风格特征。第四章探讨了墓室壁画的功能,即图像证史功能和补史功能。第五章详细阐述了民族间的交流和融合在画面中的体现,即从物质层面、制度层面、精神层面以及行为方式上进行阐释,同时分析了影响民族交流和融合的因素。 墓室壁画作为一种独特的丧葬艺术形式,不仅可以折射出当时辽代的政治、经济、文化、自然生态及社会的发展情况,还可以佐证和完善辽代美术史的发展演变,对中国北方少数民族社会史和艺术史的研究具有重要的价值。另外,墓室壁画也反映了契丹贵族关于生死的态度,审美心理、审美情趣等精神世界都具有特殊的意义。同时,对墓室壁画这样独特的文物遗产,进行全方位的保护和研究具有重要的现实意义。
[Abstract]:Liao Dynasty in Chinese history is a dynasty which is good at accepting foreign culture and living in harmony with Han nationality for a long time. On the basis of its fusion with the Han nationality, this nation created various rich and splendid cultures of this period. Tomb murals are like a static film that can lead us through time and space back to distant historical scenes. In the field of murals of Liao tombs, experts and scholars have made various studies from the perspectives of archaeology, history, ethnology, art and other disciplines. However, there are few papers on the case study of Liao Tomb murals from the angle of art and ethnic communication. In view of this, this thesis attempts to make a thorough exploration on the case study. On the basis of field investigation and related documents, this paper makes a comprehensive case study on the murals of Yangshan Tomb from the aspects of mural function, significance and the situation of national integration. This thesis is divided into five chapters: "introduction", "Overview of murals in Liao Tombs of Yangshan in Aohan Banner, Chifeng City", "contents and forms of murals in Tombs of Yangshan", "functions and significance of murals in tombs", and "Communication and fusion of nationalities from murals". The first chapter introduces the origin and significance of the topic, the purpose and method of the research, the definition of the concept and the literature review. The second chapter introduces the location, distribution and preservation of the murals in Yangshan Liao Tomb of Aohan Banner, Chifeng City. The third chapter mainly analyzes the image of the tomb murals, including the color, lines, composition, techniques and other factors of the murals, as well as the reflected style characteristics. Chapter four discusses the function of murals in tombs, that is, the function of image-proof history and the function of filling up history. The fifth chapter elaborates the communication and fusion of ethnic groups in the picture, that is, from the material level, the system level, the spiritual level and the behavior way to explain, at the same time has analyzed the influence national exchange and the fusion factor. As a unique form of funeral art, tomb murals can not only reflect the political, economic, cultural, natural ecology and social development of Liao Dynasty, but also prove and perfect the development and evolution of Liao Dynasty art history. It is of great value to study the social history and art history of ethnic minorities in northern China. In addition, tomb murals also reflect the Qidan aristocrat's attitude on life and death, aesthetic psychology, aesthetic taste and other spiritual world has special significance. At the same time, it is of great practical significance to protect and study the unique cultural relics such as tomb murals.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.41;J218.6
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本文编号：1797872