四川宋代石刻菩萨像宝冠造型分析

发布时间：2018-06-02 03:48

本文选题：四川宋代菩萨像 + 卷草纹宝冠　；参考：《敦煌研究》2014年02期

【摘要】：本稿以实地调查与学界披露的相关资料为基础,比较详细地分析了四川宋代石刻菩萨像宝冠造型,存在卷草纹与牡丹纹两类宝冠,北宋晚期至南宋晚期获得长足发展。卷草纹宝冠上承唐、五代传统,在吸收宋代世俗卷草纹因素后继续发展。牡丹纹宝冠为菩萨像造型的创举,是宋人酷爱牡丹及牡丹栽培中心南移四川的产物。北宋晚期至南宋早期,这两类宝冠的造型灵活多变,尤其绍兴年间(1131-1162)彰显新时代创造力。南宋中晚期,这两类宝冠的造型繁缛细密达到极致。四川宋代石刻菩萨像宝冠造型演化,深刻地反映了佛教艺术民俗化、地域化的过程。
[Abstract]:On the basis of field investigation and related materials disclosed by academic circles, this paper analyzes in detail the shape of bodhisattva statue crown in stone carvings in the Song Dynasty of Sichuan Province. There are two kinds of treasure crowns, curly grass pattern and peony pattern, which have made great progress from the late Northern Song Dynasty to the late Southern Song Dynasty. The Tang Dynasty, the tradition of the five dynasties, continued to develop after absorbing the factors of the secular curly grain of the Song Dynasty. The treasure crown of peony grain is the creation of Bodhisattva statue, which is the product of the people of Song Dynasty who loved peony and the center of peony cultivation moved southward to Sichuan. From the late Northern Song Dynasty to the early Southern Song Dynasty, the shapes of these two kinds of treasure crowns were flexible and changeable, especially in Shaoxing years (1131-1162). In the middle and late Southern Song Dynasty, these two kinds of treasure crowns were elaborate and elaborate to the extreme. The evolution of bodhisattva statue in Sichuan Song Dynasty reflects the process of Buddhist art folklore and regionalization.
【作者单位】：清华大学美术学院;
【分类号】：K879.42

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