浅论柿子滩岩画的文化内涵
发布时间：2018-08-25 16:29
【摘要】：岩画产生于文字之前,是人类历史非常重要的实物资料。它为人类提供了很早期的记录,对于许多其他领域的学科来说岩画也有着不可替代的作用。柿子滩岩画就是这么一处具有非常珍贵文物价值的遗址,位于山西省临汾市吉县县城西南30公里的清水河北岸,与闻名全国的柿子滩遗址相距仅仅几公里,但是自发现时日起一直乏人问津。自20世纪60年代末期中国岩画大发现以来,柿子滩岩画是中原农耕文化地区唯一一处现存的岩画遗址。在众多北方岩画中,柿子滩岩画不仅独具特色,而且是构建中原农耕文化岩画体系的一个重要组成部分。笔者在本科学习期间,曾跟随山西省考古所柿子滩考古队深入柿子滩遗址调查发掘,对柿子滩岩画印象鲜明。在攻读研究生学位期间曾先后两次赴柿子滩岩画遗址进行调研,希望能在前人基础上做一些初步的探讨和研究。本文将就两个问题进行阐述：一、柿子滩岩画所代表的文化内涵,二、对柿子滩岩画的年代问题提出一个上限。 本文共分五个部分,即导论、柿子滩岩画的内涵解析、岩画的文化功能、年代以及结论部分,其中在每个部分下又分为三个小节。在第一章导论中,主要叙述了柿子滩岩画的研究缘起、相关研究的学术动态、研究主题及研究方法；在第二章柿子滩岩画的内涵解析部分,对其研究区域背景、概况、图像的识别与考释分别进行详细的论述。这一部分也是本文的重点所在；在第三章里,笔者分别从岩画的对象、地理位置及其原始宗教情结三个方面出发,对柿子滩岩画的文化功能进行阐述；第四章论述柿子滩岩画的年代,其中包括鉴定岩画年代的几种方法、柿子滩岩画断代问题以及对其年代推断三个部分。通过上文,笔者在最后一章中对本文所要解决的问题给出结论,并对全文进行概括性的总结,使高度得到提升,为将来进一步研究打下基础。 通过全文比较研究,笔者得出如下结论：柿子滩岩画是新石器时代晚期的作品,可能由处于渔猎采集与农业相间的柿子滩先民中的一个规模较小的族群绘制而成；这个族群有自己的宗教信仰,并形成了一定的礼仪规范；他们避开其他大的群体,把岩画放到这么一个隐蔽的地方来,可能是属于原始农业文化时期的事情。
[Abstract]:Rock painting is a very important material in human history before it was written. It provides an early record for mankind and plays an irreplaceable role in many other disciplines. Shizitan rock painting is such a site with very precious cultural relics value. It is located 30 kilometers southwest of Ji County, Linfen City, Shanxi Province, on the north bank of the Qingshuihe River. It is only a few kilometers away from the famous persimmon beach ruins throughout the country. But since the discovery of time, no one has been interested. Since the discovery of Chinese rock paintings in the late 1960s, Shizitan rock painting is the only existing rock painting site in the agricultural culture area of the Central Plains. Among the many rock paintings in North China, Shizitan rock painting is not only unique, but also an important part of the construction of agricultural culture rock painting system in the Central Plains. During my undergraduate study, the author followed the Shanxi Provincial Archaeological Institute of Persimmon Beach Archaeology team to investigate and excavate the persimmon beach site, and made a clear impression of the persimmon beach rock painting. During the period of studying for graduate degree, he went to the site of rock painting in Shizitan for investigation, hoping to do some preliminary research on the basis of predecessors. This article will elaborate on two questions: first, the cultural connotation represented by the rock paintings of persimmon beach; second, put forward a upper limit to the age of rock paintings of persimmon beach. This paper is divided into five parts, that is, introduction, persimmon beach rock painting connotation analysis, rock painting cultural function, age and conclusion part, in which each part is divided into three sections. In the first chapter, the author mainly describes the origin, academic trends, research themes and research methods of the rock paintings of persimmon beach. In the second chapter, the connotation of rock paintings of persimmon beach is analyzed, and the background and general situation of the research area are given. The recognition and interpretation of images are discussed in detail. In the third chapter, the author expounds the cultural function of the rock painting of Shizitan from three aspects: the object of rock painting, the geographical position and the original religious complex. The fourth chapter discusses the age of rock paintings in Shizitan, including several methods to identify the ages of rock paintings, the dating of rock paintings in Shizitan and the inferring of their ages. In the last chapter, the author gives a conclusion on the problems to be solved in this paper, and summarizes the full text in a general way, so as to improve the height and lay the foundation for further research. The author draws the following conclusion through the comparative study of the full text: the rock painting of Shizitan is a work of late Neolithic period, which may be drawn from a small ethnic group among the Persimmon beach ancestors in the intersecting of fishing and hunting and agriculture; This group has its own religious beliefs and has formed certain rules of etiquette; they avoid other large groups and put rock paintings in such a hidden place, which may belong to the primitive agricultural culture period.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4
[Abstract]:Rock painting is a very important material in human history before it was written. It provides an early record for mankind and plays an irreplaceable role in many other disciplines. Shizitan rock painting is such a site with very precious cultural relics value. It is located 30 kilometers southwest of Ji County, Linfen City, Shanxi Province, on the north bank of the Qingshuihe River. It is only a few kilometers away from the famous persimmon beach ruins throughout the country. But since the discovery of time, no one has been interested. Since the discovery of Chinese rock paintings in the late 1960s, Shizitan rock painting is the only existing rock painting site in the agricultural culture area of the Central Plains. Among the many rock paintings in North China, Shizitan rock painting is not only unique, but also an important part of the construction of agricultural culture rock painting system in the Central Plains. During my undergraduate study, the author followed the Shanxi Provincial Archaeological Institute of Persimmon Beach Archaeology team to investigate and excavate the persimmon beach site, and made a clear impression of the persimmon beach rock painting. During the period of studying for graduate degree, he went to the site of rock painting in Shizitan for investigation, hoping to do some preliminary research on the basis of predecessors. This article will elaborate on two questions: first, the cultural connotation represented by the rock paintings of persimmon beach; second, put forward a upper limit to the age of rock paintings of persimmon beach. This paper is divided into five parts, that is, introduction, persimmon beach rock painting connotation analysis, rock painting cultural function, age and conclusion part, in which each part is divided into three sections. In the first chapter, the author mainly describes the origin, academic trends, research themes and research methods of the rock paintings of persimmon beach. In the second chapter, the connotation of rock paintings of persimmon beach is analyzed, and the background and general situation of the research area are given. The recognition and interpretation of images are discussed in detail. In the third chapter, the author expounds the cultural function of the rock painting of Shizitan from three aspects: the object of rock painting, the geographical position and the original religious complex. The fourth chapter discusses the age of rock paintings in Shizitan, including several methods to identify the ages of rock paintings, the dating of rock paintings in Shizitan and the inferring of their ages. In the last chapter, the author gives a conclusion on the problems to be solved in this paper, and summarizes the full text in a general way, so as to improve the height and lay the foundation for further research. The author draws the following conclusion through the comparative study of the full text: the rock painting of Shizitan is a work of late Neolithic period, which may be drawn from a small ethnic group among the Persimmon beach ancestors in the intersecting of fishing and hunting and agriculture; This group has its own religious beliefs and has formed certain rules of etiquette; they avoid other large groups and put rock paintings in such a hidden place, which may belong to the primitive agricultural culture period.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4
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