南京出土六朝瓦当纹样研究

发布时间：2018-11-17 21:12

【摘要】：瓦当虽只是小小的建筑构件,但它作为一种文化积淀深厚、多重内涵交织独具地域特色的特殊文物,是我们探讨古代社会的一份珍贵的实物资料。南京地区的六朝瓦当,不仅出土的数量可观,而且风格鲜明、极具特色,是研究古代瓦当不可多得的艺术珍品,对研究中国古代艺术史、思想史以及当时的政治、经济、文化等均具有重要的参考价值。本文收集了已发表的南京六朝瓦当材料,并对这些瓦当重新排列进行系统分析,以期对南京六朝瓦当的整体面貌有所了解,在此基础上对各类纹饰内涵及南京与周边地区的文化的交流和传播作初步的探讨。全文共分为五个部分。第一部分：绪言。简单介绍本文的选题理由。第二部分：发现与研究。把收集到的材料进行了总体的介绍和统计。简单回顾了南京六朝瓦当的研究历史,对于学者们的观点进行总结,在肯定研究成果的同时,也指出不足,并且初步提出本文的研究目的。第三部分：南京出土六朝瓦当类型学分析与分期。本文将南京出土六朝瓦当按纹饰分为云纹、人面纹、兽面纹及莲花纹瓦当四种,然后对其分别进行类型学分析。在此基础上结合地层学资料,对南京六朝瓦当进行了分期,最后初步探讨各类瓦当纹饰的内涵及形成的历史背景。第四部分：相关问题的初步认识。(1)与铜镜艺术比较,窥探南京六朝瓦当纹饰的来源。(2)与中原瓦当比较,探讨南北地区间文化的交流与传播。(3)与东亚其他国家出土的瓦当比较,探讨六朝时期南京与周边国家文化的交流与传播。第五部分：结语。概括了本文研究的主要内容及结论,并指出本文研究的局限性。
[Abstract]:Although Wadang is only a small architectural component, it is a special cultural relic with profound cultural accumulation and unique regional characteristics, which is a precious material for us to discuss the ancient society. The Wadang of the six dynasties in Nanjing not only unearthed a considerable number of places, but also had a distinctive style and special features. It is a rare art treasure for studying ancient Wadang, and is useful for studying the history of ancient Chinese art, the history of thought, and the politics and economy of that time. Culture has important reference value. This paper collects the published materials of the six dynasties in Nanjing, and makes a systematic analysis of the rearrangement of these tiles in order to understand the overall appearance of the Wadang in the six dynasties of Nanjing. On this basis, the connotations of various ornaments and the cultural exchanges and dissemination between Nanjing and the surrounding areas are preliminarily discussed. The full text is divided into five parts. Part one: introduction. This paper briefly introduces the reasons for choosing this topic. The second part: discovery and research. The collected materials were introduced and counted. This paper briefly reviews the research history of Wadang in the six dynasties of Nanjing, summarizes the viewpoints of the scholars, and points out the deficiencies while affirming the research results, and puts forward the research purpose of this paper. The third part: Nanjing unearthed six dynasties Wadang typology analysis and stages. In this paper, the six dynasties Wadang unearthed in Nanjing were divided into moire, human face, animal and lotus waddang according to the patterns, and then the typological analysis was carried out. Based on the stratigraphic data, this paper divided the Wadang of the six dynasties of Nanjing into stages, and finally discussed the connotation and historical background of all kinds of Wadang ornaments. The fourth part: the preliminary understanding of the related problems. (1) comparing with the art of bronze mirror, exploring the origin of the Wadang ornaments of the six dynasties in Nanjing. (2) comparing with the Wadang of the Central Plains. This paper probes into the exchange and dissemination of culture between the north and the south. (3) compared with the Wadang unearthed from other countries in East Asia, the exchange and dissemination of the culture between Nanjing and the surrounding countries during the six dynasties was discussed. Part V: conclusion. This paper summarizes the main contents and conclusions of this study, and points out the limitations of this study.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.3

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