秦至唐陶俑艺术风格流变研究
发布时间：2018-12-08 09:22
【摘要】：俑作为一种随葬明器,它的出现与“灵魂不灭”的丧葬观念有着密切的关系,属于丧葬文化的一部分。先秦陶俑的出现充分的折射出丧葬文化的发展,在产生和使用它的时代里并不把它作为艺术品来看待,然而在千百年后的今天,它却成了历史的载体,具有多方面的重要价值。它的发展变化不仅反映出丧葬文化的进步,而且从另一侧面折射出各个时期的政治、经济,文化的真实面貌,为我们研究社会发展提供了宝贵的材料。通过研究陶俑艺术风格流变过程,去探究促进其发展的推动力,去探究它所展现出来的社会发展形态,去探究它与绘画、雕塑以及其它艺术门类之间相互借鉴关系。 从艺术的角度看,在这里主要探究秦汉至隋唐陶俑艺术风格的发展演变。秦汉至隋唐陶俑发展非常迅速,展现出丰富多彩的艺术风格变化,大致的风格流变是“秦俑是注重写实的,高度的写实、严谨精细；汉俑由前期注重写实到中后期开始注重写意,古拙简约、夸张稚趣、含蓄深沉；魏晋时期主要是注重写意；隋唐陶俑在继承前期艺术特点的基础上有了更大发展,尤其是绚丽多姿唐三彩的出现。这些变化主要是通过造型,题材、服饰等来展现的。各个时期陶俑所反映出来的不同的艺术特点,也折射出不同时期艺术表现力与审美情趣的变迁。总之,每一种艺术形态出现并不是独立存在的,它与绘画、文学、雕塑共同表现出人类文明历史的演进,不同的是,陶俑从绘画的平面走了出来,以直观立体的形象展现在我们的眼前,并以其独特的艺术魅力保留着和诠释着无数祖先那动人的心境和极美的祝愿。
[Abstract]:The appearance of the figurines, as a kind of burial object, is closely related to the concept of "immortal soul" and is a part of funeral culture. The appearance of the pottery figurines in the Pre-Qin Dynasty fully reflects the development of funeral culture and does not regard it as a work of art in the era when it was produced and used. However, it has become the carrier of history and has important value in many aspects. Its development and change not only reflect the progress of funeral culture, but also reflect the real appearance of politics, economy and culture in every period from the other side, which provides valuable materials for us to study social development. By studying the changing process of the artistic style of the pottery figurines, to explore the driving force to promote its development, to explore the social development form it shows, to explore the mutual reference relationship between it and painting, sculpture and other art categories. From the artistic point of view, here mainly explores the Qin and Han dynasties to the Sui and Tang dynasties pottery art style development. From the Qin and Han dynasties to the Sui and Tang dynasties, the pottery figurines developed very quickly, showing a variety of artistic style changes, the general style is that "Qin figurines are realistic, highly realistic, rigorous and fine;" The figurines of the Han Dynasty began to pay attention to freehand brushwork from the early stage to the middle and late period, the ancient times were simple and simple, the exaggeration was childish, the implication was deep, the Wei and Jin dynasties mainly paid attention to the freehand brushwork; The pottery figurines of Sui and Tang dynasties developed greatly on the basis of inheriting the early artistic characteristics, especially the appearance of colorful three colors of Tang Dynasty. These changes are mainly through the shape, theme, clothing and so on to show. The different artistic characteristics reflected by the pottery terracotta figures in different periods also reflect the changes of artistic expressiveness and aesthetic taste in different periods. In a word, every artistic form does not exist independently. It shows the evolution of human civilization together with painting, literature and sculpture. The difference is that the pottery figurines come out from the plane of painting. With the visual stereoscopic image to show in front of our eyes, and with its unique artistic charm to retain and interpret countless ancestors that moving state of mind and very beautiful wishes.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.3
本文编号：2368105
[Abstract]:The appearance of the figurines, as a kind of burial object, is closely related to the concept of "immortal soul" and is a part of funeral culture. The appearance of the pottery figurines in the Pre-Qin Dynasty fully reflects the development of funeral culture and does not regard it as a work of art in the era when it was produced and used. However, it has become the carrier of history and has important value in many aspects. Its development and change not only reflect the progress of funeral culture, but also reflect the real appearance of politics, economy and culture in every period from the other side, which provides valuable materials for us to study social development. By studying the changing process of the artistic style of the pottery figurines, to explore the driving force to promote its development, to explore the social development form it shows, to explore the mutual reference relationship between it and painting, sculpture and other art categories. From the artistic point of view, here mainly explores the Qin and Han dynasties to the Sui and Tang dynasties pottery art style development. From the Qin and Han dynasties to the Sui and Tang dynasties, the pottery figurines developed very quickly, showing a variety of artistic style changes, the general style is that "Qin figurines are realistic, highly realistic, rigorous and fine;" The figurines of the Han Dynasty began to pay attention to freehand brushwork from the early stage to the middle and late period, the ancient times were simple and simple, the exaggeration was childish, the implication was deep, the Wei and Jin dynasties mainly paid attention to the freehand brushwork; The pottery figurines of Sui and Tang dynasties developed greatly on the basis of inheriting the early artistic characteristics, especially the appearance of colorful three colors of Tang Dynasty. These changes are mainly through the shape, theme, clothing and so on to show. The different artistic characteristics reflected by the pottery terracotta figures in different periods also reflect the changes of artistic expressiveness and aesthetic taste in different periods. In a word, every artistic form does not exist independently. It shows the evolution of human civilization together with painting, literature and sculpture. The difference is that the pottery figurines come out from the plane of painting. With the visual stereoscopic image to show in front of our eyes, and with its unique artistic charm to retain and interpret countless ancestors that moving state of mind and very beautiful wishes.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.3
【引证文献】
相关硕士学位论文 前1条
1 周兴;西安地区北朝至隋镇墓类俑研究[D];西北大学;2013年
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