宋磁州窑牡丹纹饰艺术风格研究
发布时间：2019-03-14 16:03
【摘要】： 本文通过大量收集磁州窑牡丹纹饰的相关文献与图片资料,利用图像学、美学研究方法,以宋时期磁州窑牡丹纹饰为研究对象。就现有的资料来看目前对宋时期磁州窑牡丹纹饰的相关研究还不够全面和深入,对宋时期磁州窑牡丹纹饰进行专题研究和直接文献资料很少,以往学者对磁州窑的研究主要集中在磁州窑装饰的起源、发展史、装饰技法、总体风格等方面,而对磁州窑牡丹纹饰的理论没有在时代的背景下,对宋时期磁州窑牡丹纹的装饰构图形式、组成形式、艺术风格、产生原因以及所蕴含的文化内涵等方面做专题深入系统的研究,还存在一定的空间。本文研究的主要目的就是在前人研究的基础上,以宋时期磁州窑牡丹纹饰为中心针对宋时期磁州窑牡丹纹饰的文化背景以及独具特色的构图形式、组成形式等装饰语言进行分析,旨在对其艺术风格进行研究,认为磁州窑牡丹纹装饰总体的艺术风格是自由中表达了质朴之息,平凡中彰显了严谨之风,实用中蕴含了自然之美。同时指出宋时期磁州窑牡丹纹饰产生这种艺术风格的原因主要是受到了宋代牡丹的民俗文化以及宋代的文化思想和书画艺术的影响。希望通过本文的研究能够对我国宋时期磁州窑牡丹纹饰理论研究做一些补充。
[Abstract]:In this paper, by collecting a large number of related literature and image materials of the peony ornaments of Cizhou kiln, and using the methods of graphics and aesthetics, the peony ornaments of Cizhou kiln in the Song Dynasty were taken as the object of study. According to the existing data, the relevant research on the peony ornaments of Cizhou kiln in the Song Dynasty is not comprehensive and in-depth, and there is very little special research and direct literature on the peony ornaments of the Cizhou kiln in the Song Dynasty. In the past, scholars mainly focused on the origin, development history, decoration techniques and overall style of Cizhou kiln decoration, but the theory of the peony decoration of Cizhou kiln was not under the background of the times. There is still some space for deep and systematic research on the decorative composition, artistic style, causes and cultural connotation of Cizhou kiln peony pattern in Song Dynasty. The main purpose of this paper is to focus on the cultural background and unique composition form of the peony ornaments of Cizhou kiln in Song Dynasty on the basis of previous studies, with the focus on the cultural background and unique composition forms of the peony ornaments of Cizhou Kiln in the Song Dynasty. In order to study the artistic style of Cizhou Kiln Peony Decoration, it is believed that the overall artistic style of Cizhou Kiln Peony Decoration is the expression of simplicity in freedom, and the rigorous style in commonness, and so on, in order to study the artistic style of Cizhou Kiln Peony pattern. Practicality contains the beauty of nature. At the same time, it is pointed out that the reason for the appearance of this artistic style is mainly influenced by the folk culture of peony in Song Dynasty, the cultural thought and the art of calligraphy and painting in Song Dynasty. It is hoped that this study can supplement the theoretical research on the peony decoration of Cizhou kiln in Song Dynasty in China.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.3
本文编号：2440136
[Abstract]:In this paper, by collecting a large number of related literature and image materials of the peony ornaments of Cizhou kiln, and using the methods of graphics and aesthetics, the peony ornaments of Cizhou kiln in the Song Dynasty were taken as the object of study. According to the existing data, the relevant research on the peony ornaments of Cizhou kiln in the Song Dynasty is not comprehensive and in-depth, and there is very little special research and direct literature on the peony ornaments of the Cizhou kiln in the Song Dynasty. In the past, scholars mainly focused on the origin, development history, decoration techniques and overall style of Cizhou kiln decoration, but the theory of the peony decoration of Cizhou kiln was not under the background of the times. There is still some space for deep and systematic research on the decorative composition, artistic style, causes and cultural connotation of Cizhou kiln peony pattern in Song Dynasty. The main purpose of this paper is to focus on the cultural background and unique composition form of the peony ornaments of Cizhou kiln in Song Dynasty on the basis of previous studies, with the focus on the cultural background and unique composition forms of the peony ornaments of Cizhou Kiln in the Song Dynasty. In order to study the artistic style of Cizhou Kiln Peony Decoration, it is believed that the overall artistic style of Cizhou Kiln Peony Decoration is the expression of simplicity in freedom, and the rigorous style in commonness, and so on, in order to study the artistic style of Cizhou Kiln Peony pattern. Practicality contains the beauty of nature. At the same time, it is pointed out that the reason for the appearance of this artistic style is mainly influenced by the folk culture of peony in Song Dynasty, the cultural thought and the art of calligraphy and painting in Song Dynasty. It is hoped that this study can supplement the theoretical research on the peony decoration of Cizhou kiln in Song Dynasty in China.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.3
【引证文献】
相关硕士学位论文 前2条
1 张玉领;宋代青瓷牡丹纹饰研究[D];景德镇陶瓷学院;2011年
2 李慧;磁州窑传统装饰在当代的创新发展[D];景德镇陶瓷学院;2013年
，本文编号：2440136
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