大众文化视觉表意实践与当代中国社会心态

发布时间：2018-03-26 18:27

本文选题：大众文化　切入点：视觉表意实践　出处：《吉首大学学报(社会科学版)》2017年05期

【摘要】：大众文化作为当代中国的主导性文化形态之一,对于视觉形象符号的依赖程度已经到了无以复加的地步。其视觉表意实践的文化生产与消费过程,不仅直观地呈现了这一点,而且清晰地映射出当代中国的总体精神面貌和社会心态。这一过程既深刻揭示出当代中国在社会心态层面"有限度的自由意志"、"有限度的反思立场"、"有限度的规则意识"等一系列矛盾结构;又充分说明了大众文化在视觉正义、视觉伦理和视觉素养等方面所蕴含的文化形塑力。当代中国的消费主义、犬儒主义倾向以及由此所带来的社会转型问题,亦可借此得到批判性与建设性并重的深度反思。
[Abstract]:As one of the dominant cultural forms in contemporary China, popular culture has reached a degree of dependence on visual image symbols, and its cultural production and consumption process of visual ideographic practice not only presents this point intuitively. This process not only reveals the "limited free will", "limited introspection stand", "limited regulation" in the social mentality level of contemporary China, but also clearly reflects the overall mental outlook and social mentality of contemporary China. "consciousness" and a series of contradictory structures; It also fully illustrates the cultural shaping power of mass culture in the aspects of visual justice, visual ethics and visual literacy. The consumerism, cynicism tendency and the social transformation brought about by it in contemporary China, It can also be used to obtain critical and constructive depth reflection.
【作者单位】：南京大学艺术研究院;
【基金】：国家社会科学基金一般项目(16BZX117)
【分类号】：G05

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