说唱文学的活态文本及其传承机制——以说书为中心

发布时间：2018-05-05 23:02

本文选题：说唱文学 + 活态文本　；参考：《文化遗产》2017年06期

【摘要】：由于学科体系的划分和学术传统的差异,说唱文学的研究长期以来存在案头(纸质文本)和田野(口头文本)分野的问题。以说书为中心的说唱文学研究发现,活态文本是说唱艺人每一次现场表演过程中所产生的文本,是从纸质文本到口头文本之间的"正在进行时"文本样态。它的提出本质上是一种方法和视角上的转换,这种转换可以透过说唱表演现场,把案头和田野勾连起来,从而在文本生成过程中发现包括传承观念、传承空间、传承手段、传承内容等要素在内的说唱文学传承机制。活态文本的提出及其内部机制的研究有助于打破文献与口头各成一家的学术壁垒,让活态文本架起纸质文献与口头文本之间的桥梁,活化保存于纸面的文字,激活优秀传统民间文化的时代活力,只有这样,说唱文学才有可能继续成为民众文化生活之一种。
[Abstract]:Due to the division of discipline system and the difference of academic tradition, the research on the literature of talking and singing has been divided between the paper text and the field (oral text) for a long time. The study on the narrative literature shows that the living text is the text produced by the rapper during each live performance, and it is the "ongoing" text form between the paper text and the oral text. Its presentation is essentially a transformation of methods and perspectives, which can connect the desk and the field through the rap performance scene, and thus discover in the process of text generation, including the concept of inheritance, the space of inheritance, the means of inheritance. Inheritance content and other elements of the literary heritage mechanism. The proposal of living text and the study of its internal mechanism can help to break the academic barrier of literature and oral text, and let live text build up the bridge between paper document and oral text, and activate the text stored on paper. Only in this way, can we continue to become one of the people's cultural life.
【作者单位】：河南省社会科学院中原文化研究杂志社;
【分类号】：I206.2;K890

【相似文献】