论纪录片对外传播中的三个辩证关系

发布时间：2018-02-24 02:00

本文关键词： 纪录片创作质素中国纪录片民族文化内涵中国价值辩证关系价值共享审美方式国际传播纪录电影 　出处：《中国电视》2017年05期 　论文类型：期刊论文

【摘要】：正纪录片是涵盖了生活方式、审美方式以及价值标准等众多文化质素在内的非虚构影像体系,是对外传播的重要手段。在纪录片中,中国形象的视听呈现不仅可以通过《我们诞生在中国》《喜马拉雅天梯》《一带一路》等现实非虚构作品来完成,也可以通过《河西走廊》《玄奘之路》《永远的长征》等历史非虚构作品来实现。换言之,中华民族文化内涵的丰富性,让视听影像在记录真实时拥有了更加多元的选择空间和更为准确的价值定位。以纪录片的形式进行对外传播,在促进我国文艺作品寻求世界认同的同时,也有益于对外输出中国价值、展示中国形象,促成文化的多元共
[Abstract]:Positive documentary is a non-fictional image system that covers many cultural qualities, such as lifestyle, aesthetic style and value standard, and is an important means of external communication. The audio-visual presentation of China's image can not only be accomplished through realistic and nonfiction works such as "We were born in China", "Himalayan ladder", "Belt and Road", etc. It can also be realized through historical and nonfiction works such as the Hexi Corridor, the Road of Xuanzang, the long March of the Forever, etc. In other words, the richness of the cultural connotations of the Chinese nation. So that audio-visual images have a more diversified space of choice and more accurate value orientation when recording the true. In the form of documentaries, the audio-visual images can be disseminated to the outside world, while promoting our literary works to seek world identity. It is also beneficial to the export of Chinese value, the display of Chinese image and the promotion of cultural pluralism.
【作者单位】：南京大学新闻传播学院;江苏省委宣传部对外交流处;西北师范大学文学院;
【基金】：国家社会科学基金项目“媒介融合背景下中国电视剧的跨屏传播研究”〈项目编号:14BXW018〉的研究成果
【分类号】：J952

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