康雍乾三朝中央机构刻印书研究
发布时间:2018-05-26 10:11
本文选题:康、雍、乾三朝 + 中央机构出版活动 ; 参考:《南京师范大学》2006年博士论文
【摘要】:在清代中央机构出版活动中,康、雍、乾三朝是刻书数量最多、出版成就最大的一个时期。以武英殿修书处为主体的中央刻书机构,全面继承并发展了我国古代的刻印装潢技术和活字印刷技术,在为统治阶级巩固统治服务的同时,也因此创造了我国古代官刻史上的一座丰碑。这一特殊出版物群体的版本研究与相关历史人物和历史事件紧密相连,因而详细辨析其代表性品种的产生过程,是得出正确结论的基础。 其中,曹寅等人承刻钦颁《全唐诗》、《佩文韵府》二书是清初出版史上比较重要的刻书活动。二书的刊刻地均在扬州,校刻《全唐诗》成立的机构名“扬州诗局”,,刊刻《佩文韵府》成立的机构名“扬州书局”,虽一字之差,实为两次组局。 “臣工刊书进呈内府”现象是康、雍、乾时期出现在统治集团上层的一种特殊的文化现象,臣工们对刻书事业的积极参与,使得以“软字精写精刻”为标志的“康版书”风格广泛流传,成为这个时代独特的文化标志。 发端于宋代的活字印刷技术在康、雍、乾时期第一次为中央机构出版活动所采用,并因此创造了历史上最大的铜活字印刷工程和最大的木活字印刷工程。《古今图书集成》和《武英殿聚珍版丛书》在出版过程中的特殊际遇和独特工艺,赋予了其各自不同的版本特征,二书也因此成为我国古代出版史上的经典之作。 康、雍、乾三朝的中央机构刻印书,全面反映了清盛世时期的文化政策和统治方略,是中国图书史上一份极为厚重的珍贵资产,它对本时代的文化发展产生了巨大的影响,对今天的学术研究也仍具有重要的参考价值。
[Abstract]:In the publishing activities of central institutions in Qing Dynasty, Kang, Yong and Qian dynasties were the periods in which the number of engraved books was the largest and the publishing achievement was the greatest. The central engraving organization, with the Wushu Hall as the main body, inherited and developed the printing and decorating technology and the movable type printing technology in ancient China, so as to consolidate the ruling class while serving the ruling class. As a result, it created a monument in the history of official carvings in ancient China. The research on the edition of this special publication group is closely related to the historical figures and historical events, so it is the basis to draw a correct conclusion to distinguish and analyze in detail the production process of its representative varieties. Among them, Cao Yin and others presented the poem of the whole Tang Dynasty and the second book of Peiwen Yonfu, which was an important activity in the publishing history of the early Qing Dynasty. The two books are published in Yangzhou, the school engraved "all Tang poetry" set up the organization name "Yangzhou poetry bureau", published "Peiwen Rhyun House" set up the organization name "Yangzhou Book Office", although one word difference, actually two groups bureau. The phenomenon of "coming to the Inner House" was a special cultural phenomenon that appeared in the upper echelons of the ruling group during the periods of Kang, Yong and Qian dynasties, and the ministers and workers took an active part in the work of engraving books. The style of "Kang Edition Book", which is marked by "soft fine writing and fine engraving", is widely circulated and becomes a unique cultural symbol of this era. The moving-type printing technique, which originated in the Song Dynasty, was first used by the central authorities in the period of Kang, Yong, and Qian. As a result, it created the largest copper movable type printing project in history and the largest wooden movable type printing project. Because of their different edition features, the two books have become a classic in the ancient publishing history of our country. The engraving of books by the central organs of Kang, Yong and Qian dynasties comprehensively reflected the cultural policy and ruling strategy of the prosperous period of the Qing Dynasty. It was a precious asset in the history of Chinese books, and it had a great impact on the cultural development of this era. Also has the important reference value to today's academic research.
【学位授予单位】:南京师范大学
【学位级别】:博士
【学位授予年份】:2006
【分类号】:K249
【引证文献】
相关期刊论文 前2条
1 王璐;;清代御制耕织图的版本和刊刻探究[J];西北农林科技大学学报(社会科学版);2013年02期
2 李柳情;;《佩文韵府》的编纂、版本及对清代学术的影响[J];图书馆;2011年04期
相关博士学位论文 前1条
1 刘兵兵;清代宫廷木活字印刷则例[D];中国艺术研究院;2010年
相关硕士学位论文 前1条
1 罗志;明清政治文化与内府刻书[D];陕西师范大学;2012年
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