从天上到人间:敦煌艺术中的弥勒信仰

发布时间：2018-01-31 20:24

本文关键词： 弥勒信仰弥勒经变弥勒像敦煌艺术弥勒佛敦煌地区敦煌壁画菩萨莫高窟造像　出处：《法音》2014年04期 　论文类型：期刊论文

【摘要】：正在敦煌石窟艺术中,关于弥勒信仰的造像和壁画很多。仅就经变画而言,便保存有《弥勒经变》多达98幅,同时还有大量的弥勒菩萨或弥勒佛塑像。这些壁画和造像,反映了自北朝至唐、五代、宋时期敦煌地区的弥勒信仰情况。一约在公元二、三世纪,印度和中亚地区已出现弥勒菩萨和弥勒佛的造像。随着佛教东渐,弥勒造像传入中国,到四、五世纪,弥勒造像十分盛行。敦煌地处丝路咽喉,佛教传入首当其冲,弥勒造像自然滞形于此,在北凉、北魏、北周等洞窟中所塑甚多。这与北朝盛行坐禅、求弥勒决疑的风尚有很大关系。
[Abstract]:In the art of Dunhuang grottoes, there are many statues and murals about the belief of Maitreya. As far as the classical paintings are concerned, there are as many as 98 Maitreya scriptures. There are also a large number of Maitreya Bodhisattva or Maitreya statues. These murals and statues reflect the Maitreya faith in Dunhuang from the Northern Dynasty to the Tang, the five dynasties, and the Song Dynasty. Maitreya Bodhisattva and Maitreya Buddha have appeared in India and Central Asia. As Buddhism spread eastward, Maitreya statues were introduced into China. In 5th century, Maitreya statues were very popular. Dunhuang is located in the throat of Silk Road. Buddhism was the first to bear the brunt, Maitreya statue in this form of nature, in the North Liang, Northern Wei, Northern Zhou and other caves plastic, this is due to the prevailing practice of the Northern Dynasty, Maitreya has a great deal of doubt.
【作者单位】：甘肃敦煌研究所;
【分类号】：B948
【正文快照】： 在敦煌石窟艺术中,关于弥勒信仰的造像和壁画很多。仅就经变画而言,便保存有《弥勒经变》多达98幅,同时还有大量的弥勒菩萨或弥勒佛塑像。这些壁画和造像,反映了自北朝至唐、五代、宋时期敦煌地区的弥勒信仰情况。一约在公元二、三世纪,印度和中亚地区已出现弥勒菩萨和弥勒佛

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