陕北宋金石窟大日如来图像类型分析

发布时间：2018-03-14 16:30

本文选题：陕北宋金石窟　切入点：金刚界大日如来　出处：《故宫博物院院刊》2013年03期 　论文类型：期刊论文

【摘要】：作者等经过历年调查,在延安市所属区县的宋金石窟中发现一批密教大日如来图像。这些图像包括多种存在形式,或属于金刚界曼荼罗成身会内容,或为金刚界与胎藏界大日如来组合,或为金刚界大日如来与《华严经》毗卢遮那佛混合,反映了唐代密教艺术的后续发展情况。其大日如来组织在当地以净土信仰为核心的程式化图像体系之中,密教成就法身思想与显教修菩萨行、往生净土等内涵,共同发挥教化众生的作用。陕北宋金石窟大日如来图像构成中国密教遗存的重要组成部分,扩充并深化了学界以往的认知范围和程度。
[Abstract]:The author, after years of investigation, a number of esoteric Tathagata image that belongs to the county in the city of Yanan song stone cave in. These images include many forms, or belong to the mandala and the body content, or for the diamond and the back of beyond boundaries dainichi combination, or for the diamond sector Tathagata "Sutra > Vairocana mixed, reflect the follow-up development of Esoteric Buddhism art in the Tang Dynasty. The stylized image system of the Tathagata in the local organization in pure land faith as the core, Buddhism thought and explicit teaching achievement the Bodhisattva, Pureland in Han, to play the enlightened role. The song on the big cave in Northern Shaanxi the Buddha image constitutes an important part of China Tantra remains, expand and deepen the cognition of the previous academic degree and range.

【作者单位】：清华大学美术学院;
【基金】：2010年度国家社会科学基金艺术学一般项目《两宋时期佛教图像研究》(立项批准号10BF050)中的部分内容
【分类号】：K879.2

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