桂南大芦村“跳岭头”面具世界图景探析

发布时间：2018-06-18 22:04

本文选题：大芦村 + “跳岭头”　；参考：《广西民族大学学报(哲学社会科学版)》2017年03期

【摘要】：被"驯化"或熟悉化于社会及个人认知中的民俗器物,往往寄存着丰富的集体记忆,是其所在文化环境及文化认同的外化表达。桂南大芦村的"跳岭头"面具常常被当地民众"常识化",但实际上,通过对面具神灵人物的分析和追溯,人们可以还原一幅汉族民间信仰文化图像。用历史人类学的方法,结合其所在的村落历史和建筑出现的时间等因素,发现,跳岭头这种表相的背后,其实是地方与中央朝廷、边疆与中原关系的宏大叙事下以劳氏家族为代表的地方精英与理想文化模式互动的渠道和途径的本相。通过对这样的内部文化事像进行深入解读,可以为新型农村文化空间的挖掘、丰富,培养群众文化自觉、文化自信和人文关怀有一定的意义。
[Abstract]:Folk objects which are "domesticated" or familiar with the social and personal cognition often contain rich collective memory, which is the external expression of their cultural environment and cultural identity. The "Jaolingtou" mask of Dalu village in southern Guangxi is often "common-sense" by the local people, but in fact, through the analysis and tracing of the mask divinity, people can restore a picture of Han folk belief culture. By using the method of historical anthropology, combining with the history of the village in which it was located and the time when the architecture appeared, it was found that the local and central imperial court were actually behind the appearance of Jaolingtou. Under the grand narration of the relationship between the frontier and the Central Plains, the local elite, represented by the Laos family, interacts with the ideal cultural model. Through the in-depth interpretation of such internal cultural events, it is of certain significance for the excavation and enrichment of the new rural cultural space, the cultivation of the cultural consciousness of the masses, cultural self-confidence and humanistic concern.
【作者单位】：钦州学院北部湾海洋文化研究中心;
【基金】：钦州学院2014年校级一般科研项目“民俗器物探究——以钦州‘跳岭头’面具为例”(项目编号:2014XJKY-41B)
【分类号】：B933

【相似文献】