明末基督教插图中的儒家元素:以《天主降生出像经解》为例

发布时间：2018-09-17 14:27

【摘要】：意大利语convenevolezza意指绘画中用当代服饰和场景再现历史题材故事。从14世纪开始这一艺术表现形式就出现在意大利艺术中。耶稣会传教士也深谙这一概念,17世纪他们在中国传教后不久,就用图像在中国传播基督教思想,convenevolezza的艺术手法亦即出现在晚明圣经故事插图中。以1593年在罗马出版的《福音故事图像》为蓝本,1637年,耶稣会会士艾儒略在福建晋江出版了《天主降生出像经解》,它是中国第一本关于耶稣生平的插图书籍。书中描绘耶稣生平故事的插图上就出现了许多当时的服饰、家具、装饰等素材,并体现了儒家思想和生活方式。基于《天主降生出像经解》中的木刻版画,并将之与《福音故事图像》中的铜版画相比较,本文旨在探讨convenevolezza在中国版画中的应用,并从艺术实践方面论证明末耶稣会采用适应儒家思想的传教策略。
[Abstract]:Italian convenevolezza means to reproduce historical stories with contemporary costumes and scenes in painting. Since the 14 th century, this art form has appeared in Italian art. The Jesuit missionaries also knew this concept very well. Soon after they preached in China in the 17th century, they used images to spread the Christian thought in China. The artistic technique of the Christian thought "Convenevolezza" appeared in the illustrations of the biblical stories in the late Ming Dynasty. Based on the Gospel Story Image published in Rome in 1593, in 1637, Jesuit Aljurow published the interpretation of the birth of God in Jinjiang, Fujian Province, which is the first illustrated book on the life of Jesus in China. The illustrations of the life story of Jesus appear in many materials of the time, such as dress, furniture, decoration, etc., and embody the Confucian thought and way of life. Based on the woodcut printmaking in "the interpretation of God's birth" and the comparison with the "Gospel Story Image", this paper aims to discuss the application of convenevolezza in Chinese printmaking. From the aspect of artistic practice, the Jesuits adopted the missionary strategy adapted to the Confucianism in the late Ming Dynasty.
【作者单位】：南京艺术学院设计学院;
【基金】：南京艺术学院校级项目DGQYYMK14 2014年度“青蓝工程”(科技创新团队)资助
【分类号】：B978

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