舞剧《红楼梦》中“情缘”的比较

发布时间：2018-01-02 20:31

本文关键词：舞剧《红楼梦》中“情缘”的比较　出处：《延边大学》2017年硕士论文　论文类型：学位论文

【摘要】：《红楼梦》是中国古典文学四大名著之一,全小说中共有两条叙说路线:第一条叙说的是贾史王薛四大家族的兴衰演化,第二条叙说的是主人公贾宝玉的情感经验,并且通过这两条路线来反映18世纪中国封建社会的切实面貌。它是一部表现人生哲理的小说,小说中塑造了三个重要的人物形象以及三人之间复杂的感情关系,三人之间的爱情既悲欢又动人。具体来说,它现如今表现在有以下三个点:一,是以机智、讥刺、辩论性的言语来表达错综复杂的感情纠葛;二,以含蓄的"留白"来委婉地表述爱情;三,以直白的文字来解读和审视爱情,并且通过这些高超的语言技巧和表达方式,把红楼梦中的爱情故事营造到了至纯至真的境界。笔者认为,舞蹈作品与文学作品相互之间有着不可分离的亲密联络,它们都属于艺术领域范围,但表达方式却大有不同。文学属于语言艺术,它是使用文字语言来创造和描写人物形象,其中以散文、诗歌和小说为主要题材;而舞蹈则是表演性的艺术,是通过肢体语汇来重新构造人物形象,舞蹈一般都有音乐伴奏,表演者跟随音乐的节奏来进行动作的编排从而表达人物的内心情感。从产生的年代来看,舞蹈要比文字早,但随着历史的进步和艺术形式的多元化,诸多优秀舞蹈作品的灵感,都来源于经典的文学作品,进行改编并且再创造。舞蹈本身的特点就是,对小说身韵律动的另一种表现形式,它也配备了小说自身无法呈现的表达优势,但也存在着相应的局限性。从手法表现来说,小说更加重视表现故事中的情节和人物的情感表露、人物个性,是具象表现;但舞蹈是以人的肢体动作为传达情感的纽带,则着重于呈现出人物内心的情感渲染和其中的美感意向,即抽象表现。舞蹈中的人物情感是以肢体言语来进行表达的,从而叙述创作者把内心想要表达的情感融入到肢体语言当中,当然这种情感表达单靠肢体是不够的,需要表演者内外结合,用心去"说",最终达到与观众互相面对面的交流。在社会发展的不同阶段,舞蹈所表现出的情感是具有差异的。例如:上世纪六七十年代编创的《红色娘子军》芭蕾舞的舞剧,由于不同编排者所刻画出的人物形象大不相同,因此,观众对各个版本的反馈也大相径庭。就好比是《红楼梦》这本让众人都知道的小说来说,曹雪芹他试着通过特别的个人情感色彩的文学境界,来向人们叙说一个悲痛的爱情故事,而这里面所透露出来的艺术感染力和人生命运哲学,对于不同的读者和观看者来说都是新鲜的艺术体会,甚至可以说,每个人心中都藏着一个属于自己的"红楼梦"幻想。艺术的魄力也正是在于它多变的韵律和构想空间的拓展,给人带来一种美的享受。而用肢体语言来体现小说中的人物形象,这是小说无法达到的艺术境界,因而,舞剧以小说的内容为蓝本,以舞蹈为表现手法,把小说中的人物形象转化为舞台上的舞蹈形象,是文学与舞蹈两种艺术的完美联合,更是一种对"美"的再次创造。在文学与舞蹈的转化过程中,舞蹈人物形象逐步与小说的人物交织在一起,互相透露、互相互补、互相对照,共同建构了艺术之美的视觉艺术效果和视觉感官体验。所有的艺术作品的最终的目的都是达到观看者的认同和观看者的艺术共鸣,现在大多数的舞蹈作品都源于生活和对自己生活的另一种解读,好的艺术作品会让大家所认识从而得到心灵上的共鸣和精神上的共鸣。本文从舞剧《红楼梦》的创作入手,分析了赵明、林怀民、陈爱莲这三版《红楼梦》中贾宝玉和林黛玉的内心情感表达方式,着重对比三个版本《红楼梦》中"情缘"的表达。同时,研究由小说《红楼梦》所衍生出的红楼舞蹈,以此对三版《红楼梦》中的肢体语言的情感进行比较,进而探究如何从文学作品中的语言情感中找到多维的舞蹈形象定位,如何通过对人物形象的再创造,来表达编排者对《红楼梦》的另一种解读。
[Abstract]:"A dream of Red Mansions" is one of the four major China classical literature masterpiece, the novel CPC has two routes: the first narrative narrative is the history of the rise and fall of the four families of Wang Jia Xue evolution, second narrative is the hero of Jia Baoyu's emotional experience, and through the two routes to reflect the practical features of feudal society in eighteenth Century China. It is a manifestation of the life philosophy of the novels, novels in the shape of the complicated relationship between the three important characters and three people, three people of the love between both the joys and sorrows and moving. Specifically, it is now displayed in the following three points: first, to wit, sarcasm, debate the words to express the feelings of disputes two, perplexing; with implication of "blank" to rhetoric of love; three, in plain text to read and look at love, and through these superb language skills and expression, put in a dream of Red Mansions Love story to create a pure realm. The author believes that dance works and literary works are inseparable with close contact, they all belong to the field of art, but the expression is different. The literature belongs to the art of language, it is the use of language to create and describe the characters, including in prose, poetry and novels as the main theme; and dance is a performing arts, is through body language to reconstruct the characters, generally have dance music accompaniment, the performers follow the rhythm of the music to the action arranged to express the inner feelings of the characters. From the perspective of time, dance than text early, but with the diversification of the progress of history and art forms, many outstanding works of dance inspiration come from classical literary works adapted and re creation of the dance itself is characteristic, In another form of novel rhythm rhythm expression, it is also equipped with its own advantages to present, but there are also limitations. From the corresponding performance practices, pay more attention to the novel plot performance in the story and the characters of emotions, personality, is a manifestation of people; but the dance is to the body movements to convey emotional ties, focuses on showing people's emotions and rendering the beauty intention, namely Abstract dance performance. The characters in the emotion is the body language of expression, and the narrative creators want to express the emotion into the heart to body language, of course, this is the expression of emotion not enough to rely solely on the body, to the performers of the intention to "say", eventually reach the audience with each other face-to-face. In different stages of social development, dance feelings is poor The same. For example: the last century 60s and 70s to create "Red Detachment > ballet ballet, which depicts the arrangement because of the different characters are not the same, therefore, also be quite different versions of audience feedback. It is" a dream of Red Mansions "this let people know the story, Cao Xueqin he try the special personal feelings and literary realm, to tell a sad love story, philosophical artistic appeal and the fate of life which revealed, for different readers and viewers who are experiencing new art, and even can be said that every one is hidden in a my own" dream of Red Mansions "fantasy. Art is also bold lies in expanding its changeful rhythm and space conception, bring a kind of beauty to enjoy. And to reflect the figures in the novel with body language, this is The novel cannot reach the realm of art, therefore, the content of the novel is modeled to dance, to dance for expression, the characters in the novel into the dance image on the stage, is the perfect combination of literature and art of dance two, is also a kind of "beauty" again created in the transformation process. Literature and dance, dance figures gradually with the characters of the novel are intertwined, mutually complementary to each other, said, compared with each other, constitute the artistic beauty of visual art and visual sensory experience. All the works of art are the ultimate purpose of reaching the viewer's identity and the viewer's artistic resonance now, most of the dance works are derived from life and another reading of her own life, good works of art will let you know in order to get the spiritual resonance and spiritual resonance. This article from the drama "a dream of Red Mansions" record Starting with the analysis of Zhao Ming, Lin Huaimin, Jia Baoyu and Lin Daiyu emotional expression of Chen Ailian the three version of "a dream of Red Mansions" in, mainly compare three versions of "a dream of Red Mansions" in "love" expression. At the same time, the research from the novel "a dream of Red Mansions" derived from the red to the three edition of this dance. "A dream of Red Mansions" in the body language of emotion were compared, and then explore how to find the location of multidimensional dance image in literary works from the language of emotion, to the re creation of the character image, to express their arrangement on another interpretation of "a dream of Red Mansions".

【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J723

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